量子
缺集或无法播，更换其他线路.无尽
缺集或无法播，更换其他线路.非凡
缺集或无法播，更换其他线路.剧照
剧情介绍
大象的眼泪电影免费高清在线观看全集。
该片根据莎拉·古伦的同名小说改编，讲述了大萧条时期一个流动马戏团的故事。《大象的眼泪》由《我是传奇》的导演弗朗西斯·劳伦斯执导，影片剧本由理查德·拉·格拉文斯改编。故事始于一位90多岁的老人对自己在经济大萧条时期生活的追忆，当时他来到一个二流马戏团承担起了打杂和照顾动物的工作，他亲眼目睹了马戏团对动物的种种虐待行为，并不知不觉爱上了一位残暴驯兽师的妻子。©2011Twen...老婆大人是80后八月处子遁入江湖家的港湾第五季打雀英雄传傻大姐翻转疯人院消散的痕迹二马新扎师妹4：美丽密令决味厨神莫斯科2017恐龙蛋异星灾变 第二季谁都想成为意大利人遵命！我的老板娘烈日狂风野火西雅图大屠杀魔鬼名校明日之丈2011毒蛇奇情侠侣红色之山深林抢案清宫启示录大约三十个谎言三个爸爸一个妈妈继父回家珍珠港K-19：寡妇制造者怪物许世友出拳一片好心艺坛照妖镜之96应召名册新独臂刀今年夏天降神驱魔姐妹疑云(原声版)给个理由先之重回鹿鼎军列杀出重围臻爱冲天火（粤语版）
该片根据莎拉·古伦的同名小说改编，讲述了大萧条时期一个流动马戏团的故事。《大象的眼泪》由《我是传奇》的导演弗朗西斯·劳伦斯执导，影片剧本由理查德·拉·格拉文斯改编。故事始于一位90多岁的老人对自己在经济大萧条时期生活的追忆，当时他来到一个二流马戏团承担起了打杂和照顾动物的工作，他亲眼目睹了马戏团对动物的种种虐待行为，并不知不觉爱上了一位残暴驯兽师的妻子。©2011Twen...老婆大人是80后八月处子遁入江湖家的港湾第五季打雀英雄传傻大姐翻转疯人院消散的痕迹二马新扎师妹4：美丽密令决味厨神莫斯科2017恐龙蛋异星灾变 第二季谁都想成为意大利人遵命！我的老板娘烈日狂风野火西雅图大屠杀魔鬼名校明日之丈2011毒蛇奇情侠侣红色之山深林抢案清宫启示录大约三十个谎言三个爸爸一个妈妈继父回家珍珠港K-19：寡妇制造者怪物许世友出拳一片好心艺坛照妖镜之96应召名册新独臂刀今年夏天降神驱魔姐妹疑云(原声版)给个理由先之重回鹿鼎军列杀出重围臻爱冲天火（粤语版）
长篇影评
1 ) 平淡无奇 索然无味
整部电影都没啥表现力 没什么演员比较出彩 尤其那头象 略丑 还没啥灵性 看完就觉得是把小说的情节堆积起来 唯一庆幸的是没让我看睡着
2 ) 敬人者人恒敬之，爱人者人恒爱之——《大象的眼泪》
影片是一个老人讲述自己人生经历。雅格生在一个小康之间，一次车祸带走了他父母的生命，适逢美国经济大萧条时期，本应成为一名兽医的他成了无家可归的流浪者。一次扒火车的经历让他成了马戏团的一员，在这里他不仅遇到了一只名叫罗西的大象，还遇到了改变他一生的女人——马连娜。
马戏团是一个真正弱肉强食的地方，艺人如果对马戏团没用了可能被扔出飞驰的火车或是被卖掉；老板如果没法发给大家工钱，会被艺人们吃到一根骨头都不剩。在这个小社会里，有本事的人永远受人敬重，没本事的根本连存在的必要都没有。
罗西是为了解决马戏团的财政危机才被买回来的，老板奥古斯特为了赚钱，急功近利的他用象钩狠狠地戳向罗西。总觉得大象是过于温顺了，不然一只脚就完全可以把奥古斯特踩扁。在奥古斯特眼中，无论是妻子还是大象，还是马戏团里的所有人，他都是用这种近乎残暴的方式把他们管束起来，只要能赚到钱，他就永远是他们的老大。
我觉得马连娜是爱奥古斯特的，不然不会用那样的神情讲述他们的初次相遇，不会在遇到雅格的时候如此的隐忍。但奥古斯特不信任她，而是把她当做自己的财产一般牢牢地攥在手心里，如果得不到就马上毁掉。飞驰的火车上，雅格承诺，只是为了给她更好的生活，如果她不爱他，随时可以离开。不是有句名言是“生命诚可贵，爱情价更高，若为自由故，二者皆可抛”吗？森林里的风餐露宿，金丝鸟笼里的锦衣玉食，鸟儿更爱哪一个？因为森林给了鸟儿尊重，于是无论多么精致的鸟食都无法消磨鸟儿回归森林的心。
人毕竟不是赚钱的机器，动物也不是印钞机，钞票只是能让我们更好生存的一种手段。无论是马连娜还是罗西，都义无反顾地跟雅格走了。虽然马戏团由于罗西马上就可以赚大钱了，但艺人们还是亲手毁了这个收纳他们很久的家园，当然，由于大家长奥古斯特的原因，人们已经不愿再承认这个家了。
雅格的个人魅力其实是比不上奥古斯特的，但他比奥古斯特更加懂得什么是尊重，什么是爱，于是便比奥古斯特更值得拥有如此美好的生活。
马戏团是一个真正弱肉强食的地方，艺人如果对马戏团没用了可能被扔出飞驰的火车或是被卖掉；老板如果没法发给大家工钱，会被艺人们吃到一根骨头都不剩。在这个小社会里，有本事的人永远受人敬重，没本事的根本连存在的必要都没有。
罗西是为了解决马戏团的财政危机才被买回来的，老板奥古斯特为了赚钱，急功近利的他用象钩狠狠地戳向罗西。总觉得大象是过于温顺了，不然一只脚就完全可以把奥古斯特踩扁。在奥古斯特眼中，无论是妻子还是大象，还是马戏团里的所有人，他都是用这种近乎残暴的方式把他们管束起来，只要能赚到钱，他就永远是他们的老大。
我觉得马连娜是爱奥古斯特的，不然不会用那样的神情讲述他们的初次相遇，不会在遇到雅格的时候如此的隐忍。但奥古斯特不信任她，而是把她当做自己的财产一般牢牢地攥在手心里，如果得不到就马上毁掉。飞驰的火车上，雅格承诺，只是为了给她更好的生活，如果她不爱他，随时可以离开。不是有句名言是“生命诚可贵，爱情价更高，若为自由故，二者皆可抛”吗？森林里的风餐露宿，金丝鸟笼里的锦衣玉食，鸟儿更爱哪一个？因为森林给了鸟儿尊重，于是无论多么精致的鸟食都无法消磨鸟儿回归森林的心。
人毕竟不是赚钱的机器，动物也不是印钞机，钞票只是能让我们更好生存的一种手段。无论是马连娜还是罗西，都义无反顾地跟雅格走了。虽然马戏团由于罗西马上就可以赚大钱了，但艺人们还是亲手毁了这个收纳他们很久的家园，当然，由于大家长奥古斯特的原因，人们已经不愿再承认这个家了。
雅格的个人魅力其实是比不上奥古斯特的，但他比奥古斯特更加懂得什么是尊重，什么是爱，于是便比奥古斯特更值得拥有如此美好的生活。
3 ) 大象的眼泪
距离看完小说到这部电影竟然过去两年时间了...不由得我不感慨一句 @#%&*# 啊！！
根据我尚存于记忆中的残念，改编后的电影和小说基本一致（就是没有突破的意思啦），好像比较符合我当初看书时脑子里所想的画面，也算是给了我一个比较完整的交待。
关于选角，比较满意，唯一想吐槽的就是 Reese...这年龄，这身段，唉，实在有点对不上号
根据我尚存于记忆中的残念，改编后的电影和小说基本一致（就是没有突破的意思啦），好像比较符合我当初看书时脑子里所想的画面，也算是给了我一个比较完整的交待。
关于选角，比较满意，唯一想吐槽的就是 Reese...这年龄，这身段，唉，实在有点对不上号
4 ) Water for Elephants: Life is a Most Spectacular Show
Tony promised a surprise to me if I was able to apply for 20 new jobs within two days. While I failed to hit the goal at the end of the day, with the submission of only 15 new jobs, my sweet Mr. Hairball decided to deliver the surprise as he was convinced that I have been making a real effort in order to accomplish that difficult task.
The prize came out to be a beautiful movie called "Water for Elephants" at Scotiabank Theater, starred by Robert Pattinson, Reese Witherspoon and Christoph Waltz. It was not among the movies that could give you an easy and amusing time on a Sunday night, but belonged to the category of movies that would truly help you think and feel. The story was about a veterinary student, Jacob, abandoned his studies after his parents were killed and joined a traveling circus as their vet. There he met the girl of his dream, Marlena, who was also the wife of his boss August. They fell in love while taking care of the new star attraction of the circus: a smart baby elephant. With overwhelming love for each other and inconceivable courage toward better future, they were able to defeat the brutality of August and the cruelty of the times.
I think the movie has chosen a very good perspective to tell the story, for the reason that a circus is always a place full of ironies. It supposed to be a place that brings out the most amounts of true joys, but it was actually with tremendous hardship and tragedies underneath. It looks like a place full of intra-species love and communication, but it was actually dominated by wildness and manipulations. After all, a circus show was just another lucrative delusion of joys, a typical bloody business as many of the others in the historical period of Mid-20-century America. While Jacob, on the other hand, who served as a representative of the scarcely existed humanities during that era, has made every effort to struggle for true love and true cares. The reward for him was a girl of his dream and an immortal life story to be shared with his deeply touched audience.
I was very happy to find Tony loved the movie all the same, although I am pretty sure that he could have some unshared feelings about it from a different angle due to his previous experiences. For that, I would like to respect and protect. “What if there was a happy ending for our past tragedies?” This is always a sentimental and magical question to think about. The singularity of the chance to live and the unrepeatableness of time have left us with a limited extent of choices as well as a great legacy of many unfinished yet unable-to-be-finished stories. In my eyes, it never harms to let the stories and pities finished with the help of movies and imagine for the moment about other possibilities of our own lives.
And I have my unleashed thoughts too. “Where were you when I was seventeen?”When Marlena asked Jacob, helplessly yet hopefully, at that dancing party, I could clearly remember similar words coming out of my own mouth in the far-away past. The answer to that question was nothing about where were you exactly when I was seventeen; it was everything about what I am going to do with my already changed demand and feelings for life now. However, a big problem in the real world about that is: the true courage in striving for better future could be looking very similar to the ungrateful boldness to screw up a pretty good life. People need wisdom to tell the difference between the two, otherwise there could be a costly price to pay for simply being romantic. For example, in the movie I totally understood Jacob’s affections for Marlena and I completely caught Marlena’s internal unsatisfaction in her marriage with August, yet I pretty doubt about how would Marlena immediately feel after August’s death. August was her husband. He was the right person for her to meet when she was seventeen. He was a super evil for everyone else in the world except for her. As an audience, I feel delighted for Marlena and Jacob’s living happily ever after. But did August deserve such an applauded betrayal and demise as that?
Love is truly beautiful, but love is also selfish. There is hardly right-or-wrong answer in any love story. It is touchy as long as it is real. - Once again ironically, these words came from someone who was somehow hurt by the love story that I am enjoying right now. I am always trying to feel, what exactly did Jacob see in that 1939 picture of the Winnie Brothers’ Circus Show at the very beginning of the movie? Cherished memory of his passed wife, grateful appreciation toward his own life, mixed feelings for his long-dead friend and enemy August? Despite all the complexity and ambiguity in his feelings, interestingly, that feeling reaches the bottom of our hearts and became something that we are all yearning for at the end of the day. When Tony and I, hand-in-hand, came off as the last two persons who walked out of the cinema that night, I could not help thinking about one simple question: if there is ever any audience for our own life, would they enjoy the show as much as we just did?
Jessica
May 16 2011
The prize came out to be a beautiful movie called "Water for Elephants" at Scotiabank Theater, starred by Robert Pattinson, Reese Witherspoon and Christoph Waltz. It was not among the movies that could give you an easy and amusing time on a Sunday night, but belonged to the category of movies that would truly help you think and feel. The story was about a veterinary student, Jacob, abandoned his studies after his parents were killed and joined a traveling circus as their vet. There he met the girl of his dream, Marlena, who was also the wife of his boss August. They fell in love while taking care of the new star attraction of the circus: a smart baby elephant. With overwhelming love for each other and inconceivable courage toward better future, they were able to defeat the brutality of August and the cruelty of the times.
I think the movie has chosen a very good perspective to tell the story, for the reason that a circus is always a place full of ironies. It supposed to be a place that brings out the most amounts of true joys, but it was actually with tremendous hardship and tragedies underneath. It looks like a place full of intra-species love and communication, but it was actually dominated by wildness and manipulations. After all, a circus show was just another lucrative delusion of joys, a typical bloody business as many of the others in the historical period of Mid-20-century America. While Jacob, on the other hand, who served as a representative of the scarcely existed humanities during that era, has made every effort to struggle for true love and true cares. The reward for him was a girl of his dream and an immortal life story to be shared with his deeply touched audience.
I was very happy to find Tony loved the movie all the same, although I am pretty sure that he could have some unshared feelings about it from a different angle due to his previous experiences. For that, I would like to respect and protect. “What if there was a happy ending for our past tragedies?” This is always a sentimental and magical question to think about. The singularity of the chance to live and the unrepeatableness of time have left us with a limited extent of choices as well as a great legacy of many unfinished yet unable-to-be-finished stories. In my eyes, it never harms to let the stories and pities finished with the help of movies and imagine for the moment about other possibilities of our own lives.
And I have my unleashed thoughts too. “Where were you when I was seventeen?”When Marlena asked Jacob, helplessly yet hopefully, at that dancing party, I could clearly remember similar words coming out of my own mouth in the far-away past. The answer to that question was nothing about where were you exactly when I was seventeen; it was everything about what I am going to do with my already changed demand and feelings for life now. However, a big problem in the real world about that is: the true courage in striving for better future could be looking very similar to the ungrateful boldness to screw up a pretty good life. People need wisdom to tell the difference between the two, otherwise there could be a costly price to pay for simply being romantic. For example, in the movie I totally understood Jacob’s affections for Marlena and I completely caught Marlena’s internal unsatisfaction in her marriage with August, yet I pretty doubt about how would Marlena immediately feel after August’s death. August was her husband. He was the right person for her to meet when she was seventeen. He was a super evil for everyone else in the world except for her. As an audience, I feel delighted for Marlena and Jacob’s living happily ever after. But did August deserve such an applauded betrayal and demise as that?
Love is truly beautiful, but love is also selfish. There is hardly right-or-wrong answer in any love story. It is touchy as long as it is real. - Once again ironically, these words came from someone who was somehow hurt by the love story that I am enjoying right now. I am always trying to feel, what exactly did Jacob see in that 1939 picture of the Winnie Brothers’ Circus Show at the very beginning of the movie? Cherished memory of his passed wife, grateful appreciation toward his own life, mixed feelings for his long-dead friend and enemy August? Despite all the complexity and ambiguity in his feelings, interestingly, that feeling reaches the bottom of our hearts and became something that we are all yearning for at the end of the day. When Tony and I, hand-in-hand, came off as the last two persons who walked out of the cinema that night, I could not help thinking about one simple question: if there is ever any audience for our own life, would they enjoy the show as much as we just did?
Jessica
May 16 2011
5 ) 毫無意外的電影
某一個休假的日子，因為無戲可看就選了這部片子打發時間，可是非常悲劇的是，這片子的劇情從一開始就毫無懸念，好像教科書式的平鋪直敘，難怪影評中有人要求退還票錢。
劇情的中規中矩是本戲的重大硬傷，如果說十幾年前的觀眾可能對馬戲團的獅子大象還充滿新奇，那麼現在的觀眾早就不會為這些景象而震撼了。人與動物的感情，男女主角的愛情也毫無特別之處，甚至是有不少漏洞的，於是基本沒有一處是叫人看得感動的。此刻加上偏偏男女主角演技也平平，吸血鬼的氣質完全沒有改變，依舊是喜怒哀樂一個表情。實在是很難忍耐的一個多小時，甚至光聽老者講故事也許還有趣過看影片本身，憑感覺也應該是小說本身更有看頭。
固然因為時限，電影只能在兩小時內說完一個人的人生，但是刪減的雖多，卻不應該使得感情也被刪節。記得以前拍片有人給我意見，說電影的魅力就在於觀眾一直感覺有事要發生但是卻一直沒有發生，通過各種技巧吊住觀眾的胃口，那麼到最後大家才會覺得這個故事有趣。當然這個看法也不儘然，但是如果再一開始就讓人猜到了大致走向和結局，那麼即使畫面再華麗觀眾依然會在電影院昏昏欲睡。
故事本事好故事，只可惜講故事的方式太過老套，使得本來該有的觸動人心都成了枯燥無味。
http://ucinema.hk/filmreviewmollyzheng19.htm
劇情的中規中矩是本戲的重大硬傷，如果說十幾年前的觀眾可能對馬戲團的獅子大象還充滿新奇，那麼現在的觀眾早就不會為這些景象而震撼了。人與動物的感情，男女主角的愛情也毫無特別之處，甚至是有不少漏洞的，於是基本沒有一處是叫人看得感動的。此刻加上偏偏男女主角演技也平平，吸血鬼的氣質完全沒有改變，依舊是喜怒哀樂一個表情。實在是很難忍耐的一個多小時，甚至光聽老者講故事也許還有趣過看影片本身，憑感覺也應該是小說本身更有看頭。
固然因為時限，電影只能在兩小時內說完一個人的人生，但是刪減的雖多，卻不應該使得感情也被刪節。記得以前拍片有人給我意見，說電影的魅力就在於觀眾一直感覺有事要發生但是卻一直沒有發生，通過各種技巧吊住觀眾的胃口，那麼到最後大家才會覺得這個故事有趣。當然這個看法也不儘然，但是如果再一開始就讓人猜到了大致走向和結局，那麼即使畫面再華麗觀眾依然會在電影院昏昏欲睡。
故事本事好故事，只可惜講故事的方式太過老套，使得本來該有的觸動人心都成了枯燥無味。
http://ucinema.hk/filmreviewmollyzheng19.htm
6 ) 准备好哭一场，却迎来完美结局。
写于2011年11月7日（曾经渣渣的笔记）
不知为何，"眼泪"这样的字眼吸引了我去看这部电影，更奇妙的是，大象的眼泪，一定比人的眼泪珍贵。在我心中，人类的眼泪已经成为一种手段，跟水龙头一样，需要用的时候就开，不需要的时候就吝啬地关上，而动物的眼泪却显得如此真切。
影片以大萧条时期的马戏团为背景，那个时代的欧美，马戏团和我们中国街头的杂耍或唱戏一样，哪里有消费人群就搬到哪里，属于频繁流动型的。故事从一位老人的回忆开始讲述，他带我们回到他的70年前，感受大萧条时期最炫目的华丽，以及困顿境况中美丽动人的温暖爱情。
男主角年轻时代一角由《暮光之城》的男主角罗伯特-帕丁森扮演，他由于家破人亡导致中途辍学，从最好的医学院出来盲目地跳上一辆火车，没想到这是一辆崛起中的马戏团的运载车。因为他的加入，马戏团变成当时最红火的，然而因为一场史上最惨重的马戏团事故，他和马戏团老板娘的感情终于有了正果。很可惜，听名字，我以为会已悲剧收尾，没想到是如此美满的结局。
除了选错主角 比预料之中的要好
穷小子在机缘下上了火车，结识了老板的女人，并且相爱，最后决定私奔，在这之中受尽了老板的阻挠，电影最后以灾难收场，而且也是以老人的回忆引发出故事，这不就是火车版的铁达尼么= =
很怀旧的片子~
嫩牛五方抢了大象的戏
相信这本大名鼎鼎的畅销书曾经感动很多人，在超强文本的支持下，这种改编作品再烂都还能看。这次改编四平八稳，画面精致，配乐煽情，艺术指导、服装和造型都很强大。可惜的是大象在这部电影里沦为了小三的龙套，而动物通人性可是原著里最打动人的要素，这也是这次改编沦为俗套的原因。 ★★★
牛五方好丑，Reese是怎么当上影后的！！
太常见的故事了，也没拍出什么波澜。演员也没发挥好，代入感一般。
鉴于男猪脚，给三星了。完全跟书的感觉脱离。。。
搞破鞋还有理啦 操 剧情无新意到这片好像看过似的
嫩牛五方
大象沦为龙套，卖萌机会太少。嫩牛五方作为小三成功上位，杀人夺妻还抢走爱宠，实在价值观扭曲，无怪乎还要去糟蹋我心爱的《漂亮朋友》。不过电影基调不错，配乐服装布景气氛营造都很好，勉强入我法眼给个三星，只是据说改编很差？只有读过原著的才知道了。
不错的，这片其实
中文译名真浪漫，“大象的眼泪”，动物真的也通人性啊，你爱它，它定会回报你。其实，我还挺喜欢罗伯特帕丁森的啊，就是演技实在木有长进。。。瑞希威瑟斯彭身材超正啊~影片前段节奏不要那么慢就好了
witherspoon演的真好. Rosie大象象真是通灵呀. 太喜欢了.马戏团主其实可以理解..是个脆弱的人类.还不见得有动物坚强的说.
只看到了一个男小三成功上位的故事
Moulin Rouge + Notebook.
让我想起大鱼
很喜欢的小说，知道拍成电影不能抱太大期望，但是总体感觉还很不错。当初看到男演员的时候心里一抽，看完我觉得他的表现还不赖。演员也是会成长的。
书好看，电影也不赖。
五方兄你还是演你的宇宙神作去吧，少在这装情圣