量子
缺集或无法播，更换其他线路.无尽
缺集或无法播，更换其他线路.非凡
缺集或无法播，更换其他线路.剧照
剧情介绍
长篇影评
1 ) 尾巴造就了我的孤独，也压抑了我的渴望
重口味版“如果你喜欢怪人，其实我很美”。尾巴指代的是个人与主流的差异，嘴上说着多元包容，实际上你和别人明显不同多半是会被疏远。影片似乎想寓言人类现代生活不过也如同动物园里的动物一样，家庭、工作，情感，特别是当女主和男主在动物园笼子里的对话和啪啪的行为，但着墨不多。可是，女主在这个过程中突然对男主吸吮她尾巴的行为十分敏感，决定不做了。此后就开始剧情的转折，女主告诉了妈妈，然后鼓起勇气斩断自己的尾巴。这种处理显得十分生硬，唯一可能的解释是，尾巴是女主的痛点，男主却甘之如饴，这更让女主觉得自卑。尾巴造成了她的孤独，也压抑了她的渴望。唯有自我阉割，才能融入社会。
2 ) 【TIFF16】Zoology
Zoology is a fable-like story with just the right dash of surrealism. However, writer-director Ivan I. Tverdovskiy gets too heavy-handed with allegories, preventing the premise from reaching its full potential. However, the acting is strong and there is enough wry humour in the film to make it a fairly pleasant watch.
Natasha (a thoroughly convincing and very dynamic Natalya Pavlenkova) is a middle-aged loser, bullied at work and still living with her mom. But she has a secret -- she has grown a tail, a pink, hairless appendage that seems to be not totally within her control. She goes to see the doctor about the tail, but the doctor keeps sending her back to take x-rays, as he always claims that the image isn't clear enough. Natasha becomes involved with the younger x-ray technician, Petya (likably played by Dmitriy Groshev), who is completely unbothered by the tail. Natasha is, at first, thrilled by the acceptance. But this becomes the source of the ultimate conflict in the film.
Tverdovskiy clearly intends the tail to be representative of something -- or perhaps many things, and this creates loopholes in the plot that even Natalya Pavlenkova's acting can't quite cover up. The ending feels rather contrived, and is not at all satisfying. If we see the tail as a symbol of Natasha's difference, then why does she suddenly decide to get rid of her tail when Petya demonstrates desire towards it? Up to that point, we see the positive changes Natasha's acceptance of her tail has had on her life, and when she joins in the communal gossiping about the unknown "devil woman" who has a tail, we see that she is encouraging the narrative of difference surrounding herself. In another scene, we see Natasha literally getting off with her tail, in the bathtub. One reading of the ending might be that Natasha feels fetishized and objectified by Petya, in that to him, what makes her different has taken over as her entire personality. While this dilemma between loving yourself for your uniqueness and being perceived as nothing more than a label would make for a great climax, the film does not flow naturally in this direction, and so the ending feels abrupt and forced.
Similarly, the cinematography by Aleksandr Mikeladze starts out very distinctive -- a series of hand-held shots statically framed, with the mise-en-scene being geometric to the point of neurosis, and a beautifully monotonous colour palette composed of various shades of muted blues -- but ends up becoming loose and unfocused as the story progresses.
All in all, Zoology's premise and opening is better than its execution and conclusion, but it is still worth checking out: while it's no masterpiece, it does have a certain charm about it.
Natasha (a thoroughly convincing and very dynamic Natalya Pavlenkova) is a middle-aged loser, bullied at work and still living with her mom. But she has a secret -- she has grown a tail, a pink, hairless appendage that seems to be not totally within her control. She goes to see the doctor about the tail, but the doctor keeps sending her back to take x-rays, as he always claims that the image isn't clear enough. Natasha becomes involved with the younger x-ray technician, Petya (likably played by Dmitriy Groshev), who is completely unbothered by the tail. Natasha is, at first, thrilled by the acceptance. But this becomes the source of the ultimate conflict in the film.
Tverdovskiy clearly intends the tail to be representative of something -- or perhaps many things, and this creates loopholes in the plot that even Natalya Pavlenkova's acting can't quite cover up. The ending feels rather contrived, and is not at all satisfying. If we see the tail as a symbol of Natasha's difference, then why does she suddenly decide to get rid of her tail when Petya demonstrates desire towards it? Up to that point, we see the positive changes Natasha's acceptance of her tail has had on her life, and when she joins in the communal gossiping about the unknown "devil woman" who has a tail, we see that she is encouraging the narrative of difference surrounding herself. In another scene, we see Natasha literally getting off with her tail, in the bathtub. One reading of the ending might be that Natasha feels fetishized and objectified by Petya, in that to him, what makes her different has taken over as her entire personality. While this dilemma between loving yourself for your uniqueness and being perceived as nothing more than a label would make for a great climax, the film does not flow naturally in this direction, and so the ending feels abrupt and forced.
Similarly, the cinematography by Aleksandr Mikeladze starts out very distinctive -- a series of hand-held shots statically framed, with the mise-en-scene being geometric to the point of neurosis, and a beautifully monotonous colour palette composed of various shades of muted blues -- but ends up becoming loose and unfocused as the story progresses.
All in all, Zoology's premise and opening is better than its execution and conclusion, but it is still worth checking out: while it's no masterpiece, it does have a certain charm about it.
3 ) 提听到名字以为是科教片
只看了一遍可能没看懂，还是觉得角度挺特别 投了5分。
孤独的女主，没有人走进她的内心。同事、家人她真正的朋友貌似是那些笼子里的动物。
爱情也是如此，没有实力做出选择，只能在最后爆发。人就是一个动物，但你自己意识不到。
基因决定你会自然而然的以貌取人，教条的医院，被别人的语言蛊惑。这样一帮乌合之众就是人啊。
然而你在这样的环境中，没有实力就没有权利选择自己想要的生活。
女主最后走向了妥协。
孤独的女主，没有人走进她的内心。同事、家人她真正的朋友貌似是那些笼子里的动物。
爱情也是如此，没有实力做出选择，只能在最后爆发。人就是一个动物，但你自己意识不到。
基因决定你会自然而然的以貌取人，教条的医院，被别人的语言蛊惑。这样一帮乌合之众就是人啊。
然而你在这样的环境中，没有实力就没有权利选择自己想要的生活。
女主最后走向了妥协。
一则展现中年女性的孤独的寓言，题材挺有趣的，但是手法和形式太简单甚至幼稚了。
用这样的方式表现独特个性，还是挺有意思的。独特性虽然也会成为吸引人的因素，更多随之带来的不合群不能被别人接受认可。尾巴带来嘲笑讽刺和孤独同样带来爱情，但最终的结果还是选择切掉归类。电影构思巧妙但稍显虚弱，统一的低饱和蓝色摄影风格是电影的优点，俄罗斯摄影这方面做的很好现代艺术味浓厚
不是寓言，就是生活一种啊。所谓重口味，只是你不了解的一段人生。不觉得导演必须有挖掘某种道理的义务。观众请动脑。
当一切手段都无法激发自己的想象力去打动观众甚至连哗众取宠都不会时，才可能搞出这样的破烂。
满是中年女性的孤独和无助 不善交际因拍x光认识了有医学怪癖的男医生 从男医生的爱慕中实现自我价值的满足 尾巴是社会的一个寓言也是女主对过去人生的妥协
设定有奇趣，寓言未挖掘。纵使脱胎换骨，角力不过世俗。
今年TIFF第一炮。以为是重口猎奇黑色幽默，结果是战斗人民的小清新。主题提炼的有点混乱。
海报、演员不好看。https://www.bilibili.com/video/av35824633女子莫名长出一条尾巴，只因从未交过男朋友https://www.bilibili.com/video/BV1sW411U7UB被同事邻居排挤，最后连她亲妈都把她当怪物https://www.bilibili.com/video/BV1GW411d7Hs
自身有异样的话，要想融入社会，必须学会自我阉割呗？
看完心脏就跟被海盐腌过一样。孤独是枚原子弹，孤独是条没毛的长尾巴。爱你独特的人是爱你的独特不是你，爱你身份的人是爱你的身份不是你，恨你存在的人是恨你的存在不是你。孤独的人是可耻的，自我毁灭时毁灭的是孤独不是自我。我们像动物学习然后活了下去，我们只有像动物一样才能活下去。
道理都懂，但是这样的呈现力度真的只能是隔靴搔痒吧……尤其是中间一段还处理得这么俗套。
体会了古人剪发之痛
对于我来说，长了尾巴的设定是绝对的重口味。无论是拖着尾巴行走跳舞，还是男人抱着尾巴又亲又舔，再到最后女人一屁股坐到刀上，都数度引发极度生理不适。从长尾巴的独特喜悦，到长尾巴的另类被排挤，动物学的意思是人类这种动物的变化耐人寻味吧。
这个导演几乎没有进步过，还是停留在猎奇层面。再说，男主角应该是个Zoophilia。
剧本的设定很好，寓言式的电影，口味有些重，导演有些猎奇。
很久没有这样『寓言式重口味』電影过瘾了，关于尾巴，似乎好像还是以前看过几部，这部关于中年女人，爱情和心理的电影应该是一种创作捷径：索性长出一根格格不入的尾巴，实在不行拿它灵活的自我安慰(够长度)；单位的体制，医院的按部就班，人生的枯燥，都让这根尾巴成了一个『结点』最后的一刀下去
3.5
带有寓言式的怪诞感以及人与人之间的疏离情绪，冰冷的感觉让我想起了《龙虾》，不过导演停留在构建一个隐喻，却并没有用更丰富的视听或变换的叙事让其扩展到深邃的层面，“尾巴”在这里只能作为一个女性孤独心态的衍生以及其与周遭环境格格不入的产物，最后医生的“背叛”几乎是可以预见的，因为无论创作者或是观众都不相信女主能获得幸福，这才是真正可悲的地方，也是物化女性的根深蒂固的思想在作祟。
这样的猎奇没有任何意思。
今天在“注目未来”看的第四部新导演作品：俄罗斯的《动物学》。寓言式的重口味故事，女演员出彩，怪诞却欠深刻。