红牛
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Four guys, one bride. A weekend on a raft.独自挣扎二十2015青云曲旧案寻凶马耳他之鹰间谍游戏回声 第一季拳神鸽子迷的奇遇袅袅夕阳情斗破苍穹·止戈古埃及：国王谷里的生命与死亡我心狂野沉默(2016)反斗神鹰2迷魂陷阱昨日的美食 电影版火线狙击2024基因危机：天才科学家的五日银河宝贝杨善洲小镇怪客托马斯放大一千次晚安绿妈妈俱乐部黄面老虎幸存者2015烽火燃情人间的条件(第五、六部)椰林曲暴走神探在世界的尽头十亿之爱致命嫌疑惠灵顿灵异档案第一季布娃娃2019枪侠蓝可儿之旅下女1960循环自杀十三猛鬼飞来横财疾速营救异形庇护所第三季
Four guys, one bride. A weekend on a raft.独自挣扎二十2015青云曲旧案寻凶马耳他之鹰间谍游戏回声 第一季拳神鸽子迷的奇遇袅袅夕阳情斗破苍穹·止戈古埃及：国王谷里的生命与死亡我心狂野沉默(2016)反斗神鹰2迷魂陷阱昨日的美食 电影版火线狙击2024基因危机：天才科学家的五日银河宝贝杨善洲小镇怪客托马斯放大一千次晚安绿妈妈俱乐部黄面老虎幸存者2015烽火燃情人间的条件(第五、六部)椰林曲暴走神探在世界的尽头十亿之爱致命嫌疑惠灵顿灵异档案第一季布娃娃2019枪侠蓝可儿之旅下女1960循环自杀十三猛鬼飞来横财疾速营救异形庇护所第三季
长篇影评
1 ) 人人心中都住着个小淫娃--how many shoes do you have ?
4.5
二刷,没看过小说，从表演方式入手终于弄明白了影片主旨。
除了babyfat女主之外所有配角对情欲的坚决否认，女主一开始对谋杀指控的模棱两可，主配角N次直视观众后的直抒胸臆（所谓打破第四面墙？），整个过程可视为情欲客体对道貌岸然主体肉欲的一再指认，同时也是主体即观众的借刀杀人——主体借女主这个‘捏造’的人格之手先制造谋杀，后栽赃陷害，
值得注意的是，这些人控诉女主的措辞明显带有作者的反讽，如If this man exists,he didn't use a key. 如The inspector found the lock forced. the lock forced可意译为强行插入。。
如The blue shoe's a talismanagainst bad luck.cops, crack-ups, VDand trouble in general."如Likeness, repetitions,substitutions, pretense. Enough! 层层转嫁的污名化You're a beached ship,an open shell, a sticky bitch,a crushed frog.51分44时耐人寻味的自白I am the sole cause.Death passes. Blackbird. Black beauty, weary seagull.
55分:21-
You know how nuns are.They have odd private relations.Really? What sort? Sadomasochist.
01:03分-牧师：I'm the shepherd of all lost lamb. I'm interested in every fresh arrival to this flock.
01:07分 I heard of dungeons,chains, whips... even worse律师：Really? For whom? 女主答：For the spectators.
01:09分-牧师：Beware of these people! Beware of this place! Accusation is a prologue to crime. Confinement entices vice! I'm not your father! This place is hell! I saw your game with that Devil-branded creature. Evil is there... ...and there!
女主：One Sister often touches me there. 牧师：What? Poor child,tell me the details. As many as possible,for your salvation.
女主：I've seen acts I don't understand. 牧师：Acts between whom? 女主答：Nuns and prisoners,mostly the pretty ones. 牧师Describe it all or the God of Anger will burn you alive over a slow fire.
女主：Father, I dare not. 牧师：Speak, you whore!
01:23分-女主Last night I dreamt the pastor was marrying me,but when I knelt to pray,he caressed me. His hand groped through the lace and up my thighs to my genitals. I knew he was sexually obsessed.
He'll commit suicide.律师：All who approach you
are perverts, insane.
Libertarian! Offense! Structure! Disorder! Relapse! Evidence.Reenactment. Pleasure. Recidivism. Permutation. Relapse. Disorder! Toad. Rape. Parricide. Division. Inversion. Bitch. Games. Sperm. Sloth.
Whore. One pair of shoes... two pairs... three pairs... Theme of broken glass.
昭然若揭的角色扮演01:36分We wait a little.
Wait for what?
Well, for the prosecutors,
the police superintendent,
all the people who have to be here
for the reenactment.
Who will play the murderer?
I don't know,
a cop probably.
Maybe that guy
who's on guard at the door.
And to play Nora?
They surely have someone.
When is it supposed to start?
Theoretically, right now,
but they are always late.
We're always waiting
for someone, or something.
他们的身份有牧师，修女，警察，律师等等，权力的一体N面为淫欲穿上的蓝色新鞋，成功污名化女主，所以女主才会对律师说：（牧师）He'll commit suicide（因为已被我勾引）suicide还是homecide都由主体说了算，他们当然会说是自杀啦！
这样的人格分裂仅仅指向权力阶层，单看情节和人物关系，这么说没纰漏，但你无法忽视人物这么多次挑衅，分明不想让各位看客安宁嘛。。
说到这里，本片有一点始终很暧昧，这到底算是对人性虚伪的控诉还是对纵欲的伸张？鉴于作者法国小资产阶级的身份，答案，呃。。。
无论如何，感谢格里耶奉上这部‘’过去将来时‘’作品。
有时间写个带英文字幕的图解日记
二刷,没看过小说，从表演方式入手终于弄明白了影片主旨。
除了babyfat女主之外所有配角对情欲的坚决否认，女主一开始对谋杀指控的模棱两可，主配角N次直视观众后的直抒胸臆（所谓打破第四面墙？），整个过程可视为情欲客体对道貌岸然主体肉欲的一再指认，同时也是主体即观众的借刀杀人——主体借女主这个‘捏造’的人格之手先制造谋杀，后栽赃陷害，
值得注意的是，这些人控诉女主的措辞明显带有作者的反讽，如If this man exists,he didn't use a key. 如The inspector found the lock forced. the lock forced可意译为强行插入。。
如The blue shoe's a talismanagainst bad luck.cops, crack-ups, VDand trouble in general."如Likeness, repetitions,substitutions, pretense. Enough! 层层转嫁的污名化You're a beached ship,an open shell, a sticky bitch,a crushed frog.51分44时耐人寻味的自白I am the sole cause.Death passes. Blackbird. Black beauty, weary seagull.
55分:21-
You know how nuns are.They have odd private relations.Really? What sort? Sadomasochist.
01:03分-牧师：I'm the shepherd of all lost lamb. I'm interested in every fresh arrival to this flock.
01:07分 I heard of dungeons,chains, whips... even worse律师：Really? For whom? 女主答：For the spectators.
01:09分-牧师：Beware of these people! Beware of this place! Accusation is a prologue to crime. Confinement entices vice! I'm not your father! This place is hell! I saw your game with that Devil-branded creature. Evil is there... ...and there!
女主：One Sister often touches me there. 牧师：What? Poor child,tell me the details. As many as possible,for your salvation.
女主：I've seen acts I don't understand. 牧师：Acts between whom? 女主答：Nuns and prisoners,mostly the pretty ones. 牧师Describe it all or the God of Anger will burn you alive over a slow fire.
女主：Father, I dare not. 牧师：Speak, you whore!
01:23分-女主Last night I dreamt the pastor was marrying me,but when I knelt to pray,he caressed me. His hand groped through the lace and up my thighs to my genitals. I knew he was sexually obsessed.
He'll commit suicide.律师：All who approach you
are perverts, insane.
Libertarian! Offense! Structure! Disorder! Relapse! Evidence.Reenactment. Pleasure. Recidivism. Permutation. Relapse. Disorder! Toad. Rape. Parricide. Division. Inversion. Bitch. Games. Sperm. Sloth.
Whore. One pair of shoes... two pairs... three pairs... Theme of broken glass.
昭然若揭的角色扮演01:36分We wait a little.
Wait for what?
Well, for the prosecutors,
the police superintendent,
all the people who have to be here
for the reenactment.
Who will play the murderer?
I don't know,
a cop probably.
Maybe that guy
who's on guard at the door.
And to play Nora?
They surely have someone.
When is it supposed to start?
Theoretically, right now,
but they are always late.
We're always waiting
for someone, or something.
他们的身份有牧师，修女，警察，律师等等，权力的一体N面为淫欲穿上的蓝色新鞋，成功污名化女主，所以女主才会对律师说：（牧师）He'll commit suicide（因为已被我勾引）suicide还是homecide都由主体说了算，他们当然会说是自杀啦！
这样的人格分裂仅仅指向权力阶层，单看情节和人物关系，这么说没纰漏，但你无法忽视人物这么多次挑衅，分明不想让各位看客安宁嘛。。
说到这里，本片有一点始终很暧昧，这到底算是对人性虚伪的控诉还是对纵欲的伸张？鉴于作者法国小资产阶级的身份，答案，呃。。。
无论如何，感谢格里耶奉上这部‘’过去将来时‘’作品。
有时间写个带英文字幕的图解日记
2 ) 别样的失败
女主好美啊……！！！震动影史的那种美——丽芙泰勒的娇嫩、薇诺娜的可人与艾曼纽的灵巧三位一体。
格里耶有没有这么喜欢《精疲力尽》啊，要这样直接复制来致敬。
多重身份、多重情境，格里耶显示出与立体主义同样的努力：物体作笔触，风格即瞬间感受，拼贴记忆碎片试图还原某一瞬间/事件。在记忆之中侦探自我的情感、意识、无意识和潜意识（这也是为什么侦探行为比侦探结果重要）。染血断瓶（希区柯克式爱与死），面对性与权力无能导致的性倒错之下的控制失效与谋杀。
格里耶这位萨德和普鲁斯特的门徒恐怕还是需要一个与他实力相当的导演（就像《去年在马里昂巴德》那样），格里耶很有想法，但他的反叛似乎不够意思（我并非一位保守主义者）。换言之，他需要的不仅是一位懂得电影能做什么的导演，更需要一位懂得电影做不了什么的（而这正是他亲自挂帅想要去颠覆的，尽管这种颠覆并不成功），格里耶本人的一些想法偶尔会削弱影片本身的严肃性和艺术性。但，诚如昆德拉：我们仍能在艺术家的失败之中看到一种可能性并为之努力。本片仍显示出布努埃尔、戈达尔、雷乃和杜拉斯的一些优点。
运用语言学建构方式创作电影。格里耶多次表示他收到索绪尔语言学的影响，而索绪尔的结构主义也是六七十年代的法国开始流行，影响深远。杀人没杀人不重要，重要的是怎么证明杀人甚至为什么需要证明。现代惩罚制度和中世纪同样虚伪
你再也没有血了...你要死了...你是美丽的...
法国新浪潮那一拨唯一的亮点是……
海水聲+火炎聲+鐘嗚聲+琴音聲+玻璃聲+腳步聲+開門聲+鐵鍊聲+閃電聲+呻吟聲+藍鞋+斷肢+麻繩+門檻+玻璃樽+蛋黃+雞蛋+紅酒+剪刀+口渴+女人身軀=美=性慾=原罪=解放=自由=死亡=幻想=夢境=現實=重複=再現
9.4；不确定意向
开头一段侦探的“漂移”应该最忠实地反应了格里耶的理念，即空间可以通过同一个词（动词或名词）连缀在一起。后面用蓝鞋，碎瓶子做的连缀则并不完全奏效，跟彩色片也有关系。
感覺所謂的超現實主義跟我理解的解構主義比較地相像.除了最後的結局讓我覺得全片稍有些内容之外,整部篇給我的感覺都是形式大於内容.
终于相见！
2022-11-22
法国人一出生就学会了放荡
变态女的手段多种多样，会演戏会装无辜会挑逗你。恶魔可是不会手下留情的。
8。法国装逼推左岸，左岸首当格里耶
看果体都看不下去了。
怪蜀黍格里耶拍给自己意淫的高端A片，结尾还凑合
2018-06-21 想看
50万法郎，15天拍成。尽管我不知道你想表达什么，但我誓死要给你3星。待看完书再回味下。
人首先关注于表象，再探索内里，然后用经验去判断，最后从现有的道德与法律框架中得出分析，再去选择利于自身的结果。这样人性的虚伪与真实始终争论不休，于是权威诞生了。
没有以电影形式存在的任何必要。当导演抽去演员的灵魂让其成为一具具空壳，且放弃借助构图运镜的变化和机位剪辑的引导赋予其生命力，那么他们包括喘息、发声、行走在内的所有官能性动作（包括软色情）都会呈现出一种令人生厌的不适感。
音效极好！这本书还没读，开头那些碎片、空间都是典型的格里耶，结尾重头来过也是必然的。阿姨呢，大概也就出现了一分钟吧。
各种德勒兹的感觉。血的符号用得有点滥了。结尾却是齐泽克式的：为了洗刷罪名而模拟案发现场，却把罪行坐实了。