量子
缺集或无法播，更换其他线路.无尽
缺集或无法播，更换其他线路.非凡
缺集或无法播，更换其他线路.剧照
剧情介绍
萨拉邦德电影免费高清在线观看全集。
自与约翰分手已有30年后，玛丽安隐约感到约翰还需要她，于是她决定到约翰乡下的家里去看望这个别了30年的老男人。他过着富足但与世隔绝的生活，在两个人之间，尽管很多年过去，当初的情感依然非常真实。在那里，玛丽安认识了约翰与前妻的儿子恩里克，以及恩里克21 岁的女儿卡琳娜，他们住在离约翰家不远的地方，但这老少三代人似乎并不和谐，玛丽安感到了卡琳娜对父亲恩里克的爱和约翰对儿子的不满，三个心灵都非常孤独的人之间有着似乎无法消除的隔膜和爱恨交织的复杂情感。惊天工程第一季杀戮一代猎物幸运儿第一季千门女王之螳螂捕蝉恶搞之家第六季婚外情事第一季哈莉·奎茵第二季温柔之歌逆转胜错会半生锁住有晴天真正的权力的游戏 第四季乌有乡北之樱守凤舞红尘大明嫔妃之逐鹿暗流2023天空的呼吸不测风云爱情奇遇记关山度若飞小熊历险记夜迷宫圣物秘闻录玛赛拉第三季梦幻岛2020美国版四非世界的血管乡村爱情浪漫曲美国恐怖故事：旅馆第五季阿若瓦比女校 第一季我的内心拜拜母亲节玫瑰绽放的年代怒潮藏爱假面教师春日苦短少年恋爱吧。替补2023大陆酒店第一季低入尘埃
自与约翰分手已有30年后，玛丽安隐约感到约翰还需要她，于是她决定到约翰乡下的家里去看望这个别了30年的老男人。他过着富足但与世隔绝的生活，在两个人之间，尽管很多年过去，当初的情感依然非常真实。在那里，玛丽安认识了约翰与前妻的儿子恩里克，以及恩里克21 岁的女儿卡琳娜，他们住在离约翰家不远的地方，但这老少三代人似乎并不和谐，玛丽安感到了卡琳娜对父亲恩里克的爱和约翰对儿子的不满，三个心灵都非常孤独的人之间有着似乎无法消除的隔膜和爱恨交织的复杂情感。惊天工程第一季杀戮一代猎物幸运儿第一季千门女王之螳螂捕蝉恶搞之家第六季婚外情事第一季哈莉·奎茵第二季温柔之歌逆转胜错会半生锁住有晴天真正的权力的游戏 第四季乌有乡北之樱守凤舞红尘大明嫔妃之逐鹿暗流2023天空的呼吸不测风云爱情奇遇记关山度若飞小熊历险记夜迷宫圣物秘闻录玛赛拉第三季梦幻岛2020美国版四非世界的血管乡村爱情浪漫曲美国恐怖故事：旅馆第五季阿若瓦比女校 第一季我的内心拜拜母亲节玫瑰绽放的年代怒潮藏爱假面教师春日苦短少年恋爱吧。替补2023大陆酒店第一季低入尘埃
长篇影评
1 ) 情感是如此的私密
#BFI# #Liv Ullmann-Face to Face#
依然是熟悉的伯格曼，影片在剧情和内核上并不能被当作是《婚姻生活》的续集，电影除了对婚姻、爱情和生命的讨论还带有更强烈一种面对虚无主义所展现的存在主义感，同时表达的内核也更加私密。长镜头、特写镜头、直视镜头的镜头、缓缓地前推和后拉，都可以很好的帮助观众进入视角。
而影片分十小节把人物间的羁绊慢慢展现，而女主更像是一个旁观者（观众），一个解救者，一个窥探他人隐秘情感的人（感受到被召唤）。开场就是一段儿女主凝视镜头的自白，后带观众进入电影世界，长镜头让人物情绪在空间中外放得更加饱满。片中多次让台词伴随着镜头缓缓前推到脸部特写，太能传递情绪了。有几场戏印象比较深，教堂戏，女主站起身往外走，阳光升起顺着侧窗打进教堂，大提琴的配乐响起，强光打在她脸上，女主转身，看到耶稣和十二门徒像，双手合十祈祷，有种说不出的神圣感。纯白空间女主独自演奏大提琴，配乐却是乐团的合奏，镜头越拉越远直至Karin消失，这像是一种即将要远离父亲（弑父）的前兆。母亲的信是一个巨大的转折，我认为也是体现情感私密性的内核，后续也暴露出了乱伦的情节。而父亲与爷爷的角色则非常有《秋日鸣奏曲》中女继承母的爱无能的那种表达。
影片中有大量关于齐克果的细节，挂着的画像和Johan翻阅的那本齐克果的书，这些都挺能反应电影的一部分内核的，也是很大程度映射了影片中人物塑造和他们之间的间隙无法跨越的原因，即情感是极其私密的（现在回看《婚姻生活》也能发现电影对于齐克果的婚姻观爱情观有很大借鉴性）。
“You are smiling ironically.” “No, I’m not smiling, I’m trying not to cry.”
2 ) Saraband
Saraband
伯格曼84岁高龄执导的片子，看得到伯格曼个人生活的影子。同样八十高龄的Johan那种stubborn、刻薄、精明和控制欲，似乎是伯格曼某种性格特征的投射。而Henrick与Karin父女间的掌控与反掌控、既爱又恨的情感，则让我想起Haneke的Piano Teacher里那对母女。不同的是，Karin最终挣脱了父亲的畸爱，冲出樊笼，重获人生。而Erika一边努力挣脱来自母亲的掌控，一边不由自主地陷入另一种权力争斗，最终沦为权力结构的双重牺牲品。
Anna，伯格曼好像钟情于叫这个名字的女人。拥有这个名字的女人似乎总是爱的化身。在Cries and Whispers里，作为女仆的Anna用她无私的爱努力维护住主人一家行将瓦解的亲情关系。在这部电影里，Anna的爱如同神的光，照射在每个人身上。前一个Anna遭到不公正的对待，而这部影片里的Anna却得到较好的结果，被两代人共同怀念和追悼。连与她素未谋面的Marianne也不禁怀想：Anna经历过什么？她走路的姿势怎样？她笑起来是什么样的？
这个已经不在的人，仿佛一颗最精巧的螺丝钉，把零散的人物和事件钉在一起，不叫它们失散。又像用圆规作图时那个不动的支脚，是一切的中心，电影里所有的人物都和她直间或间接有关，都受到她直接或间接的影响。即便在死后，她仍然统领着房子里的每个人。这一点又有点像《蝴蝶梦》那个从未出现过的Rebecca。伯格曼在片花里说，他拍这部电影的初衷与他最后一任妻子Ingrid 的去世有关。那时，他对着亡妻的照片想，从此我再也见不到Ingrid了！这样他开始构思这样一部电影。凑巧的是，在影片里频频出现的Anna的照片，正是Ingrid本人的遗照。在我想来，这是伯格曼刻意的精心安排。Anna逝去，Johan家中所有的快乐都失去了，家庭面临分崩离析，每个人都感到孤独异常。Ingrid去世留给伯格曼的大约也是此类感受。那因为Ingrid而存在的完满世界，从此不再。斯人已逝，情何以堪。
有人说，伯格曼的电影主要有两大主题，一是关于信仰的，主要是上帝是否存在，上帝存在的意义，人和上帝的关系等等。二是关于人和人的交流、关系。同样的主题也出现在 saraband这部影片里。让我印象极为深刻的一幕是，Marianne 在小教堂与Henrik无意相遇，那时Henrik在弹奏风琴。随后，就在那个教堂的耶稣像下，Henrik表达了对亲身父亲的憎恨，并辱骂了无辜的 Marrianne。如果我没有记错，在这段情节发生前，镜头扫过教堂里的圣像，一切都显得那么圣洁、宁静、美丽，与随后Henrik因仇恨而扭曲的面庞、痛苦的眼神、以及诅咒的话语形成了无声的对比。我想，伯格曼是绝望的，对神的万能，对人可以被拯救的信念。对比《Winter Light》里，那因为神的沉默而痛苦的Ericsson，Henrik的痛苦是更无药可救的。他已经决定彻底沉沦。
Karin真的能把这个阴霾的家甩在身后吗？她会为自杀的父亲回来吗？伯格曼没有告诉我们。我想这也正是他高明的地方。露出一半永远比全部露出来要诱人，伯格曼在给扮演Karin的演员讲戏时，特别这样提到。我想这也是他的作品的一个迷人之处。
伯格曼84岁高龄执导的片子，看得到伯格曼个人生活的影子。同样八十高龄的Johan那种stubborn、刻薄、精明和控制欲，似乎是伯格曼某种性格特征的投射。而Henrick与Karin父女间的掌控与反掌控、既爱又恨的情感，则让我想起Haneke的Piano Teacher里那对母女。不同的是，Karin最终挣脱了父亲的畸爱，冲出樊笼，重获人生。而Erika一边努力挣脱来自母亲的掌控，一边不由自主地陷入另一种权力争斗，最终沦为权力结构的双重牺牲品。
Anna，伯格曼好像钟情于叫这个名字的女人。拥有这个名字的女人似乎总是爱的化身。在Cries and Whispers里，作为女仆的Anna用她无私的爱努力维护住主人一家行将瓦解的亲情关系。在这部电影里，Anna的爱如同神的光，照射在每个人身上。前一个Anna遭到不公正的对待，而这部影片里的Anna却得到较好的结果，被两代人共同怀念和追悼。连与她素未谋面的Marianne也不禁怀想：Anna经历过什么？她走路的姿势怎样？她笑起来是什么样的？
这个已经不在的人，仿佛一颗最精巧的螺丝钉，把零散的人物和事件钉在一起，不叫它们失散。又像用圆规作图时那个不动的支脚，是一切的中心，电影里所有的人物都和她直间或间接有关，都受到她直接或间接的影响。即便在死后，她仍然统领着房子里的每个人。这一点又有点像《蝴蝶梦》那个从未出现过的Rebecca。伯格曼在片花里说，他拍这部电影的初衷与他最后一任妻子Ingrid 的去世有关。那时，他对着亡妻的照片想，从此我再也见不到Ingrid了！这样他开始构思这样一部电影。凑巧的是，在影片里频频出现的Anna的照片，正是Ingrid本人的遗照。在我想来，这是伯格曼刻意的精心安排。Anna逝去，Johan家中所有的快乐都失去了，家庭面临分崩离析，每个人都感到孤独异常。Ingrid去世留给伯格曼的大约也是此类感受。那因为Ingrid而存在的完满世界，从此不再。斯人已逝，情何以堪。
有人说，伯格曼的电影主要有两大主题，一是关于信仰的，主要是上帝是否存在，上帝存在的意义，人和上帝的关系等等。二是关于人和人的交流、关系。同样的主题也出现在 saraband这部影片里。让我印象极为深刻的一幕是，Marianne 在小教堂与Henrik无意相遇，那时Henrik在弹奏风琴。随后，就在那个教堂的耶稣像下，Henrik表达了对亲身父亲的憎恨，并辱骂了无辜的 Marrianne。如果我没有记错，在这段情节发生前，镜头扫过教堂里的圣像，一切都显得那么圣洁、宁静、美丽，与随后Henrik因仇恨而扭曲的面庞、痛苦的眼神、以及诅咒的话语形成了无声的对比。我想，伯格曼是绝望的，对神的万能，对人可以被拯救的信念。对比《Winter Light》里，那因为神的沉默而痛苦的Ericsson，Henrik的痛苦是更无药可救的。他已经决定彻底沉沦。
Karin真的能把这个阴霾的家甩在身后吗？她会为自杀的父亲回来吗？伯格曼没有告诉我们。我想这也正是他高明的地方。露出一半永远比全部露出来要诱人，伯格曼在给扮演Karin的演员讲戏时，特别这样提到。我想这也是他的作品的一个迷人之处。
3 ) 和我想拍摄的作品有相似的地方
解构，我也想分十个部分完成一部视频作品。
我也想用间离。
我如果拍摄会更加出彩，因为我是新时代更加自由的占有视频艺术的特质。哈
骊
我也想用间离。
我如果拍摄会更加出彩，因为我是新时代更加自由的占有视频艺术的特质。哈
骊
4 ) 家庭伦理哲学道德自我剖白
伯格曼这部遗作是《婚姻生活》的后传，然而不管怎么看，都不仅仅是一部续写而已。很遗憾看之前没有看一下婚姻生活，真是太失策了。但是这个故事，就算不看前作也不会有丝毫不理解的地方。
伯格曼的一生，几乎所有作品都是对家庭、婚姻、哲学、道德等等命题的思考，可以看出来他想得很深，很多，表达出来就难免晦涩了。基本上他只表达自己想表达的，而观众根据电影自行理解，这时候你看到什么就是什么了。刚刚接触伯格曼，还没有对导演的作品以及生平很熟悉，希望接下来可以慢慢了解更多。
再说萨拉邦德。全片的自我剖白，非常震撼，简直是一个老人家把心剖出来给你看。关于家庭，他甚至还隐晦地讨论了乱伦这种伦理问题，这里是我唯一不太明白的地方。
说实在的全片看下来还是有些云里雾里，感觉还是应该结合导演生平还有其他作品一起分析才对。这是我看的第二部伯格曼的电影，明明刚接触，却一上来就看了遗作，也是考虑不周啊。
5 ) Self
-not clear, but clear
-make film into the equal eternity to the oil painting in the rena
-every character is living life and sincere and deep. They got they own animal nature and humanity but they listen———the truly soul to soul.
-every line is deep but not phony (just like most of art movie es.C) each of them is so natural. Berg allows every natural imperfections, every natural phenomena (eg. not make the 獵奇的 人物背景，不求食人間煙火，只是把合理性建構平實，令內容更自然地平鋪行進）
-Just make nature nature, allow nature nature then the remain is about “US”.
-the music is not for sensational, is fictional to the support narrative itself but different than the movies of nowadays which is to establish some scenes in some way.......the whole combination of the movie is eternally harmonious just like the Rena time.
- He is born to establish the things. Thanks for the guidance——you guys.
-「天才，是神對人類的洩題。They shows, and we discover the “rules” to build to the future. 」
6 ) 一些台词
144
00:15:52,380 --> 00:15:55,140
Though sometimes, I see myself
in voluntary isolation...
145
00:15:55,280 --> 00:15:57,550
and I think I'm in hell.
146
00:15:57,690 --> 00:16:00,480
Like I'm dead,
but I don't know about it.
147
00:16:01,260 --> 00:16:03,420
But I'm fine.
148
00:16:03,660 --> 00:16:09,320
I've plagiarized my past now that
I have the page of answers.
149
00:16:10,070 --> 00:16:11,970
Doesn't sound like fun.
150
00:16:12,170 --> 00:16:15,360
That's it, Marianne.
It's not.
151
00:16:15,570 --> 00:16:19,030
And who the hell said
that damnation would be fun?
152
00:16:20,180 --> 00:16:25,670
- What does your "page of answers
say"? - Want to know?
153
00:16:25,950 --> 00:16:30,680
- I asked the question, didn't I?
- It says my life was shit.
154
00:16:31,290 --> 00:16:35,480
A stupid and totally senseless life.
155
00:16:36,620 --> 00:16:40,220
Is our marriage part
of your hell?
156
00:16:42,500 --> 00:16:46,460
- To be honest, yes.
- I'm sorry to hear that.
157
00:16:47,170 --> 00:16:49,800
An old priest once told me:
158
00:16:49,940 --> 00:16:53,430
"A good relationship has two elements:
159
00:16:53,680 --> 00:16:57,270
a good friendship
and an unshakeable eroticism".
160
00:16:57,680 --> 00:17:03,050
Nobody can say that
we weren't good friends.
161
00:17:04,590 --> 00:17:07,560
- Good friends.
- Of course.
162
00:17:08,990 --> 00:17:14,430
- You were unfaithful. - I...
- I was too.
163
00:17:14,960 --> 00:17:17,260
- It's so sad.
- But it was long ago.
164
00:17:17,400 --> 00:17:20,160
- It's still painful.
- Not for me.
165
00:17:20,970 --> 00:17:23,440
No, I suppose not.
===========
190
00:20:03,970 --> 00:20:07,960
Do you know Hindemith's
cello sonata, opus 25?
191
00:20:08,600 --> 00:20:11,440
I don't know anything about music.
192
00:20:12,170 --> 00:20:15,370
Dad wants me to play it
for the audition.
193
00:20:15,510 --> 00:20:18,840
- It's too hard!
- And doesn't he think so?
194
00:20:18,980 --> 00:20:21,470
How were you in the days
before your period?
195
00:20:24,420 --> 00:20:26,650
A premenstrual monster.
196
00:20:27,620 --> 00:20:34,650
I would go to sleep as an angel,
and wake up as a demon.
197
00:20:35,100 --> 00:20:39,260
My mind gets shattered.
And it's very hard for me to get up.
198
00:20:39,400 --> 00:20:43,340
Dad is a morning person.
199
00:20:44,070 --> 00:20:46,270
And I yawned.
200
00:20:46,410 --> 00:20:50,940
We were working on
the fourth movement.
201
00:20:52,180 --> 00:20:56,170
That damned Hindemith wrote:
202
00:20:56,350 --> 00:21:02,480
"Lebhafte Viertel ohne jeden
Audsdruck und stets Pianissimo"
203
00:21:03,290 --> 00:21:06,490
- You know?
- It looks difficult anyhow.
204
00:21:07,430 --> 00:21:12,330
So I sat there with my
shattered mind and I tried.
205
00:21:13,700 --> 00:21:18,430
I begged him to let me off
the hook, to no avail.
206
00:21:18,670 --> 00:21:23,340
He made me play the same part
at least twenty times!
207
00:21:23,480 --> 00:21:28,640
Finally I said. quietly:
"I don't give a damn about this".
208
00:21:28,780 --> 00:21:33,240
I said that it wasn't a class,
it was animal torture.
209
00:21:33,390 --> 00:21:36,360
Henrik was also angry,
but he laughed and said that I should...
210
00:21:36,490 --> 00:21:40,480
try from the beginning, where it says:
211
00:21:40,630 --> 00:21:44,460
"Lebhaft, sehr markiert...
mit festen Bogenstrichen."
212
00:21:44,600 --> 00:21:49,400
I was so angry that I couldn't.
He said I was doing it on purpose.
213
00:21:49,540 --> 00:21:54,340
I said that he didn't have the
skills to teach: I was unfair.
214
00:21:54,480 --> 00:22:01,070
Dad is the most patient, sensitive and
courteous teacher there is.
215
00:22:01,480 --> 00:22:05,440
He said it had nothing to
do with the teaching,
216
00:22:05,590 --> 00:22:08,350
but rather with willpower
and discipline...
217
00:22:08,490 --> 00:22:12,320
and that I was lazy.
That I was lazy!
218
00:22:16,230 --> 00:22:21,170
Then I got up and left the
cello because I was trembling.
219
00:22:22,370 --> 00:22:28,140
I said that it was enough for the day
and that I was going out for a walk.
220
00:22:36,920 --> 00:22:40,910
He turned pale.
I'd never seen him like that.
221
00:22:43,390 --> 00:22:47,160
And he said:
"You're not leaving".
222
00:22:48,730 --> 00:22:52,260
I put my boots on and
headed for the door.
223
00:22:54,100 --> 00:22:59,300
I didn't hear him approach,
but he grabbed me by the shoulders...
224
00:22:59,440 --> 00:23:01,340
You're not leaving!
空水洼景 惊叫声 听回来的趟水声 见回来的趟水人
235
00:25:51,150 --> 00:25:57,080
Then I became aware that
from now on, I know nothing.
236
00:25:59,490 --> 00:26:06,260
I know nothing about my life,
what I'll do or become.
===================
639
01:14:23,420 --> 01:14:30,190
"Dear Henrik, I have to tell you
something of which we've never spoken".
640
01:14:31,830 --> 01:14:35,630
"I've wanted to talk
to you about Karin".
641
01:14:36,270 --> 01:14:41,500
"But it was never necessary
because I was always there".
642
01:14:42,570 --> 01:14:46,410
"Then I got sick
and I was there no longer".
643
01:14:47,550 --> 01:14:53,710
"Of course I was there,
but you kept me apart".
644
01:14:55,490 --> 01:15:02,450
"You and I love each other.
I was sure about our love".
645
01:15:04,230 --> 01:15:07,220
"But no love is strong enough...
646
01:15:07,370 --> 01:15:13,600
to stand a devastating
effect like my illness".
647
01:15:14,840 --> 01:15:20,540
"I see that you love Karin, but that
you also tie her to you".
648
01:15:22,080 --> 01:15:26,850
"It's good that you were her
teacher, but there's a limit".
649
01:15:28,650 --> 01:15:32,610
"When I'm no longer there,
the limit will be unclear".
650
01:15:33,760 --> 01:15:35,820
"I know that Karin loves you".
651
01:15:37,830 --> 01:15:43,600
"But you mustn't use her love.
You'll hurt her".
652
01:15:45,500 --> 01:15:48,600
"That could be a permanent wound".
653
01:15:51,280 --> 01:15:56,610
"That's why I ask
you to let her go".
654
01:15:57,650 --> 01:16:01,420
"You shouldn't take
advantage of her kinship".
655
01:16:01,750 --> 01:16:08,280
"Don't take advantage of her because
you're her self-proclaimed teacher.
656
01:16:11,160 --> 01:16:13,220
"Dearest Henrik".
657
01:16:14,430 --> 01:16:20,100
"You're so sensitive,
so considerate, so kind".
658
01:16:21,470 --> 01:16:26,340
"I know it, without a doubt,
after so many years together".
659
01:16:28,450 --> 01:16:32,850
"But you must be careful
not to burden Karin...
660
01:16:33,250 --> 01:16:38,620
with the orphaned love that will remain
when I'm no longer there".
661
01:16:41,560 --> 01:16:46,390
There's more,
but I don't want to read any more.
662
01:16:47,230 --> 01:16:51,030
I can't.
It hurts so much! （karin痛哭）
663
01:16:52,470 --> 01:16:55,410
I can hear my mother's voice!
664
01:17:01,680 --> 01:17:03,240
Karin...
665
01:17:04,780 --> 01:17:08,720
Why did you reach out to me?（其实marianne不想get involved）
666
01:17:09,290 --> 01:17:14,120
- You're very involved.
- You could say that.
667
01:17:14,760 --> 01:17:18,790
- And you know about granddad抯
plans. - He told me.
668
01:17:19,630 --> 01:17:25,540
I don't expect advise,
I need to hear my voice aloud.
669
01:17:25,770 --> 01:17:29,710
I believe things will
clear up this way.
670
01:17:29,840 --> 01:17:31,400
Go ahead, speak.
671
01:17:33,850 --> 01:17:40,220
- Mom saw.
- Yes, I think so.
672
01:17:40,550 --> 01:17:44,320
And everything she warned
about has happened.
673
01:17:45,460 --> 01:17:51,620
- I can't accept grandfather's
offer. - Why not?
674
01:17:52,060 --> 01:17:54,620
If I leave Henrik, he'll die!
675
01:17:56,630 --> 01:18:01,400
If I leave him, he'll die...
I'm sure about it, Marianne...
676
01:18:01,540 --> 01:18:05,410
He doesn't even have
his orchestra anymore!
纠葛 一个老年人 半夜起来
开始是呜呜的一种疼痛似的声音
834
01:36:35,420 --> 01:36:39,750
- What's wrong? Johan?
- I don't know.
835
01:36:41,630 --> 01:36:49,560
- I think it's anguish.
- Anguish? What do you mean?
836
01:36:50,800 --> 01:36:54,460
- I see! You're sad!
- I'm not sad...
837
01:36:55,510 --> 01:37:01,170
It's worse. It's an anguish
from hell. It's bigger than me.
838
01:37:01,950 --> 01:37:05,180
It's trying to make way through
every orifice in my body;
839
01:37:05,320 --> 01:37:13,880
my eyes, my ass. It's like a huge
mental diarrhea!
840
01:37:18,430 --> 01:37:21,450
I'm too small for this anxiety.
841
01:37:21,630 --> 01:37:23,360
Are you afraid of death, Johan?
842
01:37:23,530 --> 01:37:26,470
More than anything,
I'd like to scream.
843
01:37:26,700 --> 01:37:31,900
What can you do with a baby
that won't be comforted?
844
01:37:32,310 --> 01:37:36,410
- Come, lay by my side.
- There's no room.
845
01:37:37,710 --> 01:37:42,120
- We've slept in smaller beds.
- We won't be able to sleep.
846
01:37:42,590 --> 01:37:47,020
It doesn't matter. Not in
the last days of our lives.
847
01:37:47,160 --> 01:37:52,360
I have to take off my shirt.
It's damp from my diarrhea.
848
01:37:52,560 --> 01:37:54,120
Come on.
849
01:37:59,900 --> 01:38:02,700
You take it off too.
850
01:38:03,210 --> 01:38:04,470
Yes
====================
Thomas Adès (born 1971) is a British composer and pianist. You can find his transcription of Les baricades mistérieuses by Fran?ois Couperin on this EMI recording:
http://www.arkivmusic.com/classical/Drilldown?name_id1=2518&name_role1=1&comp_id=283&bcorder=15&name_id=66&name_role=3
For anyone interested in a piano recording of Les baricades (I prefer the original for the harpsichord myself!) there's an excellent recording by Alexandre Tharaud on Harmonia Mundi.
00:15:52,380 --> 00:15:55,140
Though sometimes, I see myself
in voluntary isolation...
145
00:15:55,280 --> 00:15:57,550
and I think I'm in hell.
146
00:15:57,690 --> 00:16:00,480
Like I'm dead,
but I don't know about it.
147
00:16:01,260 --> 00:16:03,420
But I'm fine.
148
00:16:03,660 --> 00:16:09,320
I've plagiarized my past now that
I have the page of answers.
149
00:16:10,070 --> 00:16:11,970
Doesn't sound like fun.
150
00:16:12,170 --> 00:16:15,360
That's it, Marianne.
It's not.
151
00:16:15,570 --> 00:16:19,030
And who the hell said
that damnation would be fun?
152
00:16:20,180 --> 00:16:25,670
- What does your "page of answers
say"? - Want to know?
153
00:16:25,950 --> 00:16:30,680
- I asked the question, didn't I?
- It says my life was shit.
154
00:16:31,290 --> 00:16:35,480
A stupid and totally senseless life.
155
00:16:36,620 --> 00:16:40,220
Is our marriage part
of your hell?
156
00:16:42,500 --> 00:16:46,460
- To be honest, yes.
- I'm sorry to hear that.
157
00:16:47,170 --> 00:16:49,800
An old priest once told me:
158
00:16:49,940 --> 00:16:53,430
"A good relationship has two elements:
159
00:16:53,680 --> 00:16:57,270
a good friendship
and an unshakeable eroticism".
160
00:16:57,680 --> 00:17:03,050
Nobody can say that
we weren't good friends.
161
00:17:04,590 --> 00:17:07,560
- Good friends.
- Of course.
162
00:17:08,990 --> 00:17:14,430
- You were unfaithful. - I...
- I was too.
163
00:17:14,960 --> 00:17:17,260
- It's so sad.
- But it was long ago.
164
00:17:17,400 --> 00:17:20,160
- It's still painful.
- Not for me.
165
00:17:20,970 --> 00:17:23,440
No, I suppose not.
===========
190
00:20:03,970 --> 00:20:07,960
Do you know Hindemith's
cello sonata, opus 25?
191
00:20:08,600 --> 00:20:11,440
I don't know anything about music.
192
00:20:12,170 --> 00:20:15,370
Dad wants me to play it
for the audition.
193
00:20:15,510 --> 00:20:18,840
- It's too hard!
- And doesn't he think so?
194
00:20:18,980 --> 00:20:21,470
How were you in the days
before your period?
195
00:20:24,420 --> 00:20:26,650
A premenstrual monster.
196
00:20:27,620 --> 00:20:34,650
I would go to sleep as an angel,
and wake up as a demon.
197
00:20:35,100 --> 00:20:39,260
My mind gets shattered.
And it's very hard for me to get up.
198
00:20:39,400 --> 00:20:43,340
Dad is a morning person.
199
00:20:44,070 --> 00:20:46,270
And I yawned.
200
00:20:46,410 --> 00:20:50,940
We were working on
the fourth movement.
201
00:20:52,180 --> 00:20:56,170
That damned Hindemith wrote:
202
00:20:56,350 --> 00:21:02,480
"Lebhafte Viertel ohne jeden
Audsdruck und stets Pianissimo"
203
00:21:03,290 --> 00:21:06,490
- You know?
- It looks difficult anyhow.
204
00:21:07,430 --> 00:21:12,330
So I sat there with my
shattered mind and I tried.
205
00:21:13,700 --> 00:21:18,430
I begged him to let me off
the hook, to no avail.
206
00:21:18,670 --> 00:21:23,340
He made me play the same part
at least twenty times!
207
00:21:23,480 --> 00:21:28,640
Finally I said. quietly:
"I don't give a damn about this".
208
00:21:28,780 --> 00:21:33,240
I said that it wasn't a class,
it was animal torture.
209
00:21:33,390 --> 00:21:36,360
Henrik was also angry,
but he laughed and said that I should...
210
00:21:36,490 --> 00:21:40,480
try from the beginning, where it says:
211
00:21:40,630 --> 00:21:44,460
"Lebhaft, sehr markiert...
mit festen Bogenstrichen."
212
00:21:44,600 --> 00:21:49,400
I was so angry that I couldn't.
He said I was doing it on purpose.
213
00:21:49,540 --> 00:21:54,340
I said that he didn't have the
skills to teach: I was unfair.
214
00:21:54,480 --> 00:22:01,070
Dad is the most patient, sensitive and
courteous teacher there is.
215
00:22:01,480 --> 00:22:05,440
He said it had nothing to
do with the teaching,
216
00:22:05,590 --> 00:22:08,350
but rather with willpower
and discipline...
217
00:22:08,490 --> 00:22:12,320
and that I was lazy.
That I was lazy!
218
00:22:16,230 --> 00:22:21,170
Then I got up and left the
cello because I was trembling.
219
00:22:22,370 --> 00:22:28,140
I said that it was enough for the day
and that I was going out for a walk.
220
00:22:36,920 --> 00:22:40,910
He turned pale.
I'd never seen him like that.
221
00:22:43,390 --> 00:22:47,160
And he said:
"You're not leaving".
222
00:22:48,730 --> 00:22:52,260
I put my boots on and
headed for the door.
223
00:22:54,100 --> 00:22:59,300
I didn't hear him approach,
but he grabbed me by the shoulders...
224
00:22:59,440 --> 00:23:01,340
You're not leaving!
空水洼景 惊叫声 听回来的趟水声 见回来的趟水人
235
00:25:51,150 --> 00:25:57,080
Then I became aware that
from now on, I know nothing.
236
00:25:59,490 --> 00:26:06,260
I know nothing about my life,
what I'll do or become.
===================
639
01:14:23,420 --> 01:14:30,190
"Dear Henrik, I have to tell you
something of which we've never spoken".
640
01:14:31,830 --> 01:14:35,630
"I've wanted to talk
to you about Karin".
641
01:14:36,270 --> 01:14:41,500
"But it was never necessary
because I was always there".
642
01:14:42,570 --> 01:14:46,410
"Then I got sick
and I was there no longer".
643
01:14:47,550 --> 01:14:53,710
"Of course I was there,
but you kept me apart".
644
01:14:55,490 --> 01:15:02,450
"You and I love each other.
I was sure about our love".
645
01:15:04,230 --> 01:15:07,220
"But no love is strong enough...
646
01:15:07,370 --> 01:15:13,600
to stand a devastating
effect like my illness".
647
01:15:14,840 --> 01:15:20,540
"I see that you love Karin, but that
you also tie her to you".
648
01:15:22,080 --> 01:15:26,850
"It's good that you were her
teacher, but there's a limit".
649
01:15:28,650 --> 01:15:32,610
"When I'm no longer there,
the limit will be unclear".
650
01:15:33,760 --> 01:15:35,820
"I know that Karin loves you".
651
01:15:37,830 --> 01:15:43,600
"But you mustn't use her love.
You'll hurt her".
652
01:15:45,500 --> 01:15:48,600
"That could be a permanent wound".
653
01:15:51,280 --> 01:15:56,610
"That's why I ask
you to let her go".
654
01:15:57,650 --> 01:16:01,420
"You shouldn't take
advantage of her kinship".
655
01:16:01,750 --> 01:16:08,280
"Don't take advantage of her because
you're her self-proclaimed teacher.
656
01:16:11,160 --> 01:16:13,220
"Dearest Henrik".
657
01:16:14,430 --> 01:16:20,100
"You're so sensitive,
so considerate, so kind".
658
01:16:21,470 --> 01:16:26,340
"I know it, without a doubt,
after so many years together".
659
01:16:28,450 --> 01:16:32,850
"But you must be careful
not to burden Karin...
660
01:16:33,250 --> 01:16:38,620
with the orphaned love that will remain
when I'm no longer there".
661
01:16:41,560 --> 01:16:46,390
There's more,
but I don't want to read any more.
662
01:16:47,230 --> 01:16:51,030
I can't.
It hurts so much! （karin痛哭）
663
01:16:52,470 --> 01:16:55,410
I can hear my mother's voice!
664
01:17:01,680 --> 01:17:03,240
Karin...
665
01:17:04,780 --> 01:17:08,720
Why did you reach out to me?（其实marianne不想get involved）
666
01:17:09,290 --> 01:17:14,120
- You're very involved.
- You could say that.
667
01:17:14,760 --> 01:17:18,790
- And you know about granddad抯
plans. - He told me.
668
01:17:19,630 --> 01:17:25,540
I don't expect advise,
I need to hear my voice aloud.
669
01:17:25,770 --> 01:17:29,710
I believe things will
clear up this way.
670
01:17:29,840 --> 01:17:31,400
Go ahead, speak.
671
01:17:33,850 --> 01:17:40,220
- Mom saw.
- Yes, I think so.
672
01:17:40,550 --> 01:17:44,320
And everything she warned
about has happened.
673
01:17:45,460 --> 01:17:51,620
- I can't accept grandfather's
offer. - Why not?
674
01:17:52,060 --> 01:17:54,620
If I leave Henrik, he'll die!
675
01:17:56,630 --> 01:18:01,400
If I leave him, he'll die...
I'm sure about it, Marianne...
676
01:18:01,540 --> 01:18:05,410
He doesn't even have
his orchestra anymore!
纠葛 一个老年人 半夜起来
开始是呜呜的一种疼痛似的声音
834
01:36:35,420 --> 01:36:39,750
- What's wrong? Johan?
- I don't know.
835
01:36:41,630 --> 01:36:49,560
- I think it's anguish.
- Anguish? What do you mean?
836
01:36:50,800 --> 01:36:54,460
- I see! You're sad!
- I'm not sad...
837
01:36:55,510 --> 01:37:01,170
It's worse. It's an anguish
from hell. It's bigger than me.
838
01:37:01,950 --> 01:37:05,180
It's trying to make way through
every orifice in my body;
839
01:37:05,320 --> 01:37:13,880
my eyes, my ass. It's like a huge
mental diarrhea!
840
01:37:18,430 --> 01:37:21,450
I'm too small for this anxiety.
841
01:37:21,630 --> 01:37:23,360
Are you afraid of death, Johan?
842
01:37:23,530 --> 01:37:26,470
More than anything,
I'd like to scream.
843
01:37:26,700 --> 01:37:31,900
What can you do with a baby
that won't be comforted?
844
01:37:32,310 --> 01:37:36,410
- Come, lay by my side.
- There's no room.
845
01:37:37,710 --> 01:37:42,120
- We've slept in smaller beds.
- We won't be able to sleep.
846
01:37:42,590 --> 01:37:47,020
It doesn't matter. Not in
the last days of our lives.
847
01:37:47,160 --> 01:37:52,360
I have to take off my shirt.
It's damp from my diarrhea.
848
01:37:52,560 --> 01:37:54,120
Come on.
849
01:37:59,900 --> 01:38:02,700
You take it off too.
850
01:38:03,210 --> 01:38:04,470
Yes
====================
Thomas Adès (born 1971) is a British composer and pianist. You can find his transcription of Les baricades mistérieuses by Fran?ois Couperin on this EMI recording:
http://www.arkivmusic.com/classical/Drilldown?name_id1=2518&name_role1=1&comp_id=283&bcorder=15&name_id=66&name_role=3
For anyone interested in a piano recording of Les baricades (I prefer the original for the harpsichord myself!) there's an excellent recording by Alexandre Tharaud on Harmonia Mundi.
不是我最爱的伯格曼，但关于人与人情感的刻画依然令人动容。这种情感包含着人与人之间的冷漠、隔阂、疏远，也包含着扶持、和解、解脱，这似乎是伯格曼电影一辈子的主题，怕也是李安喜欢他的原因。看着那些演员逐渐老去，容颜不在，也特别令人感怀。
婚姻生活探讨夫妻，萨拉邦德探讨家庭。10小节双人对话几乎穷尽家庭里的一切关系形态，玛丽安困在过去，约翰困于自我，恩里克困于悲伤与愤怒，卡琳困于良心和内疚，像耶稣爱犹大一样爱着所有人的安娜，才是答案。
伯格曼让两位老搭档来出演男女主，特别是与丽芙·乌曼还有特殊的关系（與其同居六年且育有一子）的背景下，我觉得这种安排是有私心的，厄兰·约瑟夫森扮演的约翰，就是其本人晚年的映射，或者说是替代。这从开头安排丽芙·乌曼主动来看约翰，到结尾与丽芙·乌曼同床共枕旧梦重现，应该是晚年伯格曼心态的真实写照和想法。
不可思议的最后一部。
伯格曼觉得自己已经成精了，拉了一把，那批人也就都成精了。
所有事件围绕着安娜的缺席，所有互相折磨的灵魂等待着母性的安抚。所有房门自动关闭，玛丽安被困在三代人错综复杂罪孽深重的漩涡中，从观察者成为替代者——提供母性和静默倾听的人。男人天性暴烈而脆弱，孜孜以求的“奇迹”不过是在一个沉默的容器内填满对自己的恨意，他们的爱情像是在女儿的身体里追忆母亲的乳香。他们对同类毫无怜悯，无论是否和自己一样孤独，累积的经验智慧加重了对羞愧的敏感度，因此镜子里只能看到歇斯底里的焦虑，更莫说静默者从坟墓发出的预言，宣告了维持男性存在的一切谎言之终结——比起芬-亚扩大到父权、宗教等社会层面的对性别的反思，这更是完全暴露自我的让人胆战心惊的自省啊。
他已经七十几岁，终于能够面对自己，能够对着镜子展示并看清楚自己的恐惧与挣扎，并毫无掩饰地示弱，寻求原谅。企望被原谅，被安慰，被包容，被呵护，女性、妻子、妈妈，这时成为最恒久、仁慈、忍耐的象征。巴赫第五号大提琴无伴奏组曲Saraband
老而弥坚
3.8 生活最後留給我們的是沒有辦法言述的安靜，是造物裡的一片風景。安娜的不多言和行動中的愛盡是所有人心中的最柔軟處。（卡琳的表演太出戲了⋯）
伯格曼最后的电影。漫长的爱伴随着无尽的惩罚。
《愛在午夜希臘時》：生活。《麥迪遜之橋》：生活後。《夕陽舞曲》：後生活。
老伯还是那么细腻，画面很美；难道人只有到了两鬓斑白垂暮之年，才能学会淡然？
几十年远离人群独居的生活，一个费罗岛怎么能承载一颗如此怦然跳动的灵魂？我用短短几年来看一个导演的60年，又怎么能真切地领会那沉甸甸的生活内涵。我更难想像伯格曼的同龄人在看《萨拉邦德》时的表情，当生命融入电影，我找不到合适的入口，那不是电影，是他的命，是他的遗嘱。
安娜的照片安娜的故事安娜的信安娜的话~
伯格曼的生日看完他最后的作品。痛苦，还是痛苦，《婚姻生活》的续集，这次辗转来回更多是家庭、父子、爱人之间的折磨与控制。我想靠近你，我一直想，可是无法和解无法救赎。父亲宛如《野草莓》里的伊萨克和《秋日奏鸣曲》的母亲的混合体，对儿子的冷漠，对世界和死亡的恐惧：“他做什么都失败，自杀都死不了。”
伯格曼遗作。延续《婚姻生活》的人物讲述的全新的故事。伯格曼借约翰与他儿子的角色，在电影中重新审视了自己与孩子、与父亲的关系，并用几近冷酷的方式宣布“自己从未爱过孩子”，也绝情地表达了自己对父亲无法和解的厌恶。爱情已经不是年迈的伯格曼想要讨论的内核，亲情也许才是伯格曼人生结束前化身魔鬼煎熬他的东西。亨里克与女儿卡琳舌吻的镜头有恶心到我。卡琳演员演技太差了…
大师的最后一部电影，肯定不是最好的一部。一辈子都快过完了的时候，伯格曼还是拍了和以往感觉一样纠结的家庭伦理片。这片不像是个总结陈词或者最新感悟（相对于重出山而言），更像是一个重述。
三星半。伯格曼最后一部晚年的醒悟。通过外人的访入来讲三代人三个人的亲情还是通过常用的场景对话。儿子这个角色太伤感了人生巨大的失败充斥着父亲和女儿的“爱的伤害”当然伤害是互相的忘不了那震惊绝望哀伤略带乞求的眼睛特写。一个拥抱能带来什么？
廉颇老矣...
Avec simplicité et puissance, Bergman nous livre un film testamentaire allant directement à l’essentiel des conditions humaines.