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50年代-60年代初波兰电影学院派的经典作品之一，堪称与同时代意大利导演安东尼奥尼的《奇遇》相比，改编自Józef Hen在社会主义波兰时期被禁的小说。 In 1960 his second film NIKT NIE WOLA / NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.我要成为超级巨星外星+人法村真情一亿日元的再见咱们村来了贴心人绑架天坑鹰猎公鸡母鸡拖拉机春闺梦里人2023蓝学校憨嘉残缺秋雨大好时光最后的锦衣卫漫威75年：从俚俗到全球！疯狂的石头亚森·罗宾第三季看见我和你重头开始绝地隧战神圣游戏第二季白考尔回忆鲍嘉新加坡味道 第二季红石钟声守卫者联盟我们相信遥远的街区布利特暴发户决战富人里第二季大唐荣耀哥俩好非常线之女风云雄霸天下赵文卓版绿水被禁止的游戏“筑”建人生
50年代-60年代初波兰电影学院派的经典作品之一，堪称与同时代意大利导演安东尼奥尼的《奇遇》相比，改编自Józef Hen在社会主义波兰时期被禁的小说。 In 1960 his second film NIKT NIE WOLA / NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.我要成为超级巨星外星+人法村真情一亿日元的再见咱们村来了贴心人绑架天坑鹰猎公鸡母鸡拖拉机春闺梦里人2023蓝学校憨嘉残缺秋雨大好时光最后的锦衣卫漫威75年：从俚俗到全球！疯狂的石头亚森·罗宾第三季看见我和你重头开始绝地隧战神圣游戏第二季白考尔回忆鲍嘉新加坡味道 第二季红石钟声守卫者联盟我们相信遥远的街区布利特暴发户决战富人里第二季大唐荣耀哥俩好非常线之女风云雄霸天下赵文卓版绿水被禁止的游戏“筑”建人生
阅
波兰戏剧在电影中的再次彰显 强有力的画面控制能力和镜头语言 政治隐喻没看懂 也猜不透 即使考虑敏感时期因素 作为观众我也还是难以抓到重点... 那么这就是导演的问题了
故事的年代模糊，战后，苏联入侵？梦境或现实。镜头语言饱含象征、隐喻。或者通篇就是男主的意淫。
~In Stock~
故事背景十分隐晦模糊（Barbara Krafftówna演这种爱而不得的角色简直得心应手
我害怕。不要害怕。我害怕。最終所有一切都是會變的。
当明亮双眸真真切切出现，黑白画面叫人赞叹。
经典
我也是 绑个缸子站在河边等水质变好
战后创伤的思想牢笼
构图打光节奏都考究，看时想到的不是奇遇，而是雷乃+加瑞尔
看的英文字幕版，很喜欢这个故事，想读小说。
把爱不爱的摆到明面上讲也没那么困难画面看起来舒服，太喜欢电影末尾那一段逃离。
讲述的是战后波兰人在战后迁往该国西部地区--原本由德国人居住的土地，在那里开始新的生活的故事。孤独的男孩博泽科遇到了一个叫露西娜的女孩，他想逃离战时的过去。
战争会结束，而噩梦持续
20221119 周六 22:20 场景构图干净舒服，除去爱只剩恐惧，拍得美但内容很干扁，过于文艺又煽情！
乱世中的个人感情生活，粗放中的精致。比安东尼奥尼《奇遇》具有更丰富的质感
无人可唤，无人可应，我们长久的梦想不过是想做一个普通人，而这糟糕无比的一切均不会持续太久。结尾接近内心意识流的段落最佳，顶光直泄而下，宛如一束笼罩在头顶的梦幻之光，他无从选择，一切选择都是错的，战争让所有（人）都变了模样。
战争会过去，但是他带来的恐惧和阴影也许永远不会过去。
故事不复杂但是一点不枯燥，反而觉得很生动，配乐。旁白内心的对话很添彩。