迷失Z城

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主演:查理·汉纳姆,罗伯特·帕丁森,西耶娜·米勒,汤姆·赫兰德,爱德华·阿什利,安古斯·麦克菲登,伊恩·麦克迪阿梅德,克莱夫·弗朗西斯,马修·桑德兰,亚历山大·约瓦诺维奇,叶莲娜·索洛维,鲍比·斯莫德里奇

类型:电影地区:美国语言:英语,葡萄牙语,图皮年份:2016

 量子

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 无尽

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 红牛

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 非凡

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 剧照

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 剧情介绍

迷失Z城电影免费高清在线观看全集。
英国探险家珀西·福斯特(查理·汉纳姆 Charlie Hunnam 饰)深入神秘的南美洲亚马逊丛林探险,竟发现未知的文明生活迹象,他回到英国公开这个意义深远的重大发现,却被当成笑话嘲弄,没有人愿意相信他的话。在爱妻尼娜(西耶娜·米勒 Sienna Miller 饰)无怨无悔的支持下,福斯特决心带领儿子杰克(汤姆·霍兰德 Tom Holland 饰)重返亚马逊丛林,寻找古文明存在的证据,一行人却离奇消失,从此再无任何音讯,成为史上最神秘又悬疑的失踪事件。人骨麻将粤语达妮卡终有一天照亮余生节日欢歌犹在镜中木乃伊(国语版)大国使命之科技创新我的初恋女孩富二代2绝望的死期狙击职业杀手上帝之手第一季千钧一发1997战地情人辣手回春粤语超能英雄世界上最著名的列车猫头鹰市中心死亡轮盘兰屿之歌爱情是Beautiful,人生是Wonderful真实故事双重暴击战地九飞龙莎拉·巴拉斯:弗朗明哥的呼唤反恐特警组第四季回溯迷踪秘密结晶2018再生巨流求人等待戈多2001青年映像计划 第一季哭泣女人的诅咒真诚扬名立万2011年中央电视台春节联欢晚会嫁个好人家国语指尖上的中医夜曲2020美国版黑镜第四季不2022新基督山伯爵莎翁情史国语

 长篇影评

 1 ) Vor í Vaglaskógi

古典韵味十足的影像制造,长时间跨度配合散点式叙述,忠于自然时间的处理更加凸显出传统的古典魅力,壮阔恢弘。“黄金国”和丛林的奇观铺满,狂热到疯癫的执念将一生奉献给探索和冒险。好在雨林奇观和土著仪式的奇观刻奇建立在冷静的克制中,角色的精神挣扎、自然和文明的对立等则成为了思索的最终落脚点。“从外部视野的「迷失」到内心陷入狂热折磨矛盾的「迷失」,勇气不划分等级、白人并非文明开创者,这是属于带着血肉的、冒险的殉道者的诗歌,直至最终被净化。”虽说是有点老调重弹,但寓意倒也是浅显易懂,老派的手法藏住的是充满浪漫色彩的反英雄、反类型化的构建,人物弧光完整、叙述连贯,整体看下来十分舒适。

因为我太喜欢精致的影像了,即使是已经尽力去奇观化的景致,自然的未知也令我沉迷。影像是清醒度弱化了的清醒状态,是清醒度增强了的睡梦状态,意识与无意识之间的幻觉被发掘,放大,忘却的是现实,沉溺的不愿被发现的梦幻Z城。

冒险精神是黄金国,是亚马逊丛林中绵密的,深入灵魂深处的梦呓,是欲望中中萦绕着的潮湿,是告别尘世的净土。黄金国,到底还是人对自我的搜寻,寄托于未知、寄托于梦中的亚马逊丛林。

写的时候在循环kaleo的VoríVaglaskógi 感觉很合适

Kvoldie er okkar og vor um Vaglaskóg

我们共度这样一个夜晚 春风拂过丛林

Vie skulum tjalda í graenum berjamó

我们要去绿意盎然的浆果地露营

Leiddu mig vinur í lundinn frá í gaer

朋友啊带我归返昨天去过的果树林

Lindin tar niear og birkihríslan graer.

春风呢喃低语 桦树林蓬勃生长

Leikur í ljósum lokkum og angandi rósum

它拂过秀发 拂过芬芳的玫瑰

Leikur í ljósum lokkum hinn vaggandi blaer.

它拂过秀发 又涌入一股劲风中

Dagperlur glitra um dalinn faerist ró

闪烁在山谷间的晨露 静静流动着

Draumar tess raetast sem gistir Vaglaskóg

今夜来到这里的人美梦都成真了

Kveldraueu skini á kraekilyngie slaer

绯红的霞光照耀着这片浆果地

Kyrrein er frieandi, mild og angurvaer.

这里寂静荒凉 这里柔和怡人

Leikur í ljósum lokkum og angandi rósum

它拂过秀发 拂过芬芳的玫瑰

Leikur í ljósum lokkum hinn vaggandi blaer

它拂过秀发 又涌入一股劲风中

Leikur í ljósum lokkum hinn vaggandi blaer

它拂过秀发 又涌入一股劲风中

Leikur í ljósum lokkum og angandi rósum

它拂过秀发 拂过芬芳的玫瑰

lokkum hinn vaggandi blaer

涌入一股劲风中

 2 ) 真英雄不該有真票房

个人评分: 4.5分

個人很喜歡

通常“英雄”是一個電影類型,但認真甩出一個真實存在的英雄來,愛好者們往往都很失望。因為他們需要的是視覺、聽覺裡的“英雄”的陪伴,遠非實打實引發代入和想像的活人。

觀眾的“奶頭”是青樓、毒品、遊戲,以及電影。川端康成、海子、海明威的自殺並不會且永遠也不可能會阻擋、阻礙乃至略微抵消下大眾對奶頭的依賴。所以不太符合“奶頭”的作品通常票房、銷量不佳。

傳記電影、音樂電影、體育電影、特殊身份電影。從社會學、人文主義、電影史學講都是值得、需要,乃至必須去拍的類型。但在此之前有個更大的前提:市場規律。電影只是市場的一隻前帆,類型片不過帆上風一股。當電影之船才啟航遠未進入深水區時,最需要的水面、指南針、不出問題的船體和船員。只有當船足夠大、行駛足夠遠、經歷足夠多以後,才有能力、眼力、體力捕捉到每一縷新風。

那時,真實的英雄就不再使你畏懼,讓你抽離,害你莫名其妙。

那時,你所在的城市的票房構成也會與現在大不相同。

 3 ) 都在说这个电影和传记和实际出入很大

The Lost City of Z is a very long way from a true story — and I should know
A new Hollywood film hypes Percy Fawcett as a great explorer. In fact, he was a racist incompetent who achieved very little

The new film The Lost City of Z is being advertised as based on the true story of one of Britain’s greatest explorers. It is about Lt-Col Percy Fawcett. Greatest explorer? Fawcett? He was a surveyor who never discovered anything, a nutter, a racist, and so incompetent that the only expedition he organised was a five-week disaster. Calling him one of our greatest explorers is like calling Eddie the Eagle one of our greatest sportsmen. It is an insult to the huge roster of true explorers. Had the advertisement been about a soap powder, it would fall foul of the Trade Descriptions Act.

Percy Fawcett joined the army immediately after school, with a commission in the artillery in 1886. The next 20 years involved garrison duty in Ceylon and postings in Malta and England. The only significant events were getting married and becoming a devotee (like many others) of the charlatan psychic Madame Blavatsky. Fawcett’s game-changer came in 1906, when he was 40. The army let him take the Royal Geographical Society’s course on frontier surveying. Far away in South America, Bolivia had just sold its rubber-rich province of Acre to Brazil, so it needed its new north-western boundary mapped. The Bolivians approached the RGS for a mature surveyor to do this. The society’s secretary asked the newly qualified Fawcett whether he wanted to go; he accepted, reported for duty in La Paz and was at work on the new Amazonian frontier by the end of the year. This survey was the best thing Fawcett did. But he described it as boring, because the new frontier was all along rivers. This was the height of the great Amazon rubber boom, so he and his team cruised from one comfortable rubber barraca to the next, taking their regular measurements.

Fawcett’s only publications were a series of papers in the Geographical Journal about his mapping work. But he kept a journal, and in 1953 his son Brian edited this and other papers into a book called Exploration Fawcett. He emerges from it as a typical Edwardian colonial officer — friendly with South Americans but looking down on them, appalled by the cruelty at some rubber stations, full of gossip about life on this remote but boom-rich backwater, and uninterested in nature apart from banalities about dangerous snakes and irritating insects.

In 1908, the Bolivians asked Fawcett to survey another of their frontiers with Brazil: a small river called Verde, far away at the north-eastern corner of the large landlocked country. The preparations were appalling. Fawcett took minimal supplies, since he was accustomed to being fed by rubber stations. This was the end of the dry season with the river at its lowest. So they soon had to abandon their boat and continue on foot. After only a week, all food was exhausted and they were really starving. Fawcett casually remarked that five out of his six peons died from the effects of this five-week disaster. This was the only expedition he led into unexplored territory.

The Bolivians invited Fawcett back in 1910, this time to map part of their boundary with Peru. It involved paddling up a frontier river called Heath and two meetings with indigenous peoples on the banks. The first group fired arrows and guns over their heads. But Fawcett waded ashore with presents and shouting a few words of ‘Chuncho’ (the Peruvian word for all forest peoples) that he had memorised but did not understand. That was the only time that Fawcett attempted any language other than Spanish. Further up the Heath river, Fawcett met a tribe he called Ecocha (now Ese Eja) whom he really liked. They were ‘embarrassingly hospitable’ with their food, so Fawcett spent a few days with them and recorded something of their ethnography. He returned for a second visit in 1911.

After a final survey for the Bolivian government in 1913, of the upper Beni river in the Andes, Fawcett went sightseeing in central Bolivia. He and two companions were paddled down the big Guaporé river. They stopped at Mequens on its Brazilian bank to visit the Swedish anthropologist Baron Erland Nordenskiöld and his attractive wife, who provided guides to take them on a walk inland to visit a people they called Maxubi (now Makurap). The Maxubi were friendly and hospitable, but continuing on a forest trail Fawcett met another tribe (probably Sakurabiat) to whom he took a violent dislike. When one aimed a drawn bow at him, Fawcett shot the man with a Mauser revolver — absolutely forbidden by Brazil’s Indian Service. He described them as he imagined Neanderthals or Piltdown Man to have looked: ‘large hairy men, with exceptionally long arms, and foreheads sloping back from pronounced eye ridges… villainous savages, hideous ape men with pig-like eyes.’ No Amazonian Indian has body hair or looks remotely like this — I know, because I have spent time with over 40 different peoples. These two groups, and the two on the Heath, were the only tribal people seen by Fawcett. He liked two of them. So it was strange that he wrote racist gibberish that ‘there are three kinds of Indians. The first are docile and miserable people, easily tamed; the second, dangerous, repulsive cannibals very rarely seen; the third, a robust and fair people, who must have a civilised origin.’

When Fawcett was in the cattle country of central Bolivia in September 1914, news came of the outbreak of war. So he hurried home and by January 1915 was back in the artillery. In his late forties, he was too old for frontline service; but he fought a good war, ending as Lieutenant-Colonel.

In one of his pre-war lectures to the RGS, Fawcett had spoken of possible ancient ruins in the Amazon forests. He was now told about a scrap of paper dated 1743 in which bandeirantes imagined that they had seen a deserted city in the jungles. (The bandeirantes were slavers who scoured the interior of Brazil for Indians to capture. Although most of these thugs were illiterate, others did write reports about their travels — none of which said a word about seeing ruins.) Fawcett gave this imaginary ‘lost city’ the codename Z, and finding it became an obsession.

The easiest forest tribes to visit in Brazil were on the headwaters of one of the Amazon’s southern tributaries, the Xingu. A German anthropologist had contacted a dozen amiable peoples there in 1884; and since then they had been visited by seven groups of anthropologists or Indian Service officials. All had walked in by the same trail. So in 1920 Fawcett tried to follow this route — even though it was nowhere near where the chimera city might have been. His plans went wrong, so he got no further than a ranch halfway along the trail. In 1921 he searched for the mythical city down on the Atlantic coast, by train inland from Salvador da Bahia; but, hardly surprisingly, the miners there knew nothing.

In 1925, by now penniless but desperate, Fawcett tried again to reach the upper Xingu tribes. He now took two inexperienced ex-public schoolboys, his son Jack and Jack’s friend Raleigh Rimmel. The old surveyor made two suicidal pronouncements. One was that the trio should travel light, with nothing more than small packs. Everyone in Amazonia knew that you could not cut trails and keep your team fed with fewer than eight men. (I can confirm this, having done months of such cutting and carrying.) But Fawcett sent their pack animals and porters back, and continued with only his two novices. His other dictum was that Indians would look after them. This was equally dangerous. The Xingu tribes pride themselves on generosity; but they expect visitors to reciprocate. All expeditions in the past four decades had brought plenty of presents such as machetes, knives and beads. Fawcett had none. He committed other blunders that antagonised their hosts. So it was only a matter of days before they were all dead.

Twenty years later, Chief Comatsi of the Kalapalo tribe gave a very detailed account of Fawcett’s visit, reminding his assembled people of exactly how they had killed the unwelcome strangers. But the German anthropologist Max Schmidt, who was there in 1926, thought that they had plunged into the forests, got lost and starved to death; this was also the view of a missionary couple called Young who were on another Xingu headwater. The Brazilian Indian Service regretted that Fawcett, who was obsessively secretive, had not asked for their help in dealing with the Indians. They felt he was killed because of the harshness and lack of tact that all recognised in him.

Such was the sad tale of this incompetent, whose only skill was in surveying. But the disappearance of an English colonel while searching for a mythical ancient city in tropical rain forests was a media sensation. Two expeditions went to try to learn more. There was revived interest in the 1950s with the publication of Exploration Fawcett and the Kalapalo chief’s account of how they killed the Englishmen. Then it was forgotten until 2009 when David Grann, a talented writer, published The Lost City of Z. Unfortunately, Grann hyped the story out of all proportion and wrongly depicted Fawcett as a great explorer.

As he cheerfully admitted, Grann had no experience of rainforests. But he let his imagination run riot, with pages about ferocious piranhas, huge anacondas, electric eels (actually a fish that has never killed a man), frogs ‘with enough toxins to kill 100 people’, ‘predator’ pig-like peccary, ‘sauba ants that could reduce the men’s clothes to threads in a single night, ticks that attached like leeches (another scourge) and the red hairy chiggers that consumed human tissue. The cyanide-squirting millipedes. The parasitic worms that caused blindness…’ and so on. Everyone who know tropical forests, including me, knows that almost every word of this is nonsense.

Fawcett himself gave a simple account of his four surveying journeys for the Bolivian government. But for Grann, ‘in expedition after expedition… he explored thousands of square miles of the Amazon and helped redraw the map of South America’. Fawcett admitted that he was ‘a greenhorn in the jungle’ and knew nothing about nature. But Grann wrote that he moved ‘inch by inch through the jungle, tracing rivers and mountains, cataloguing exotic species… [until] he had explored as much of the region as anyone’.

For Grann, Fawcett was competing against other explorers ‘who were racing into the interior of South America’. The only study that Fawcett made after leaving school in 1886 was his RGS surveying course. He never mentioned any library research. But for Grann he was ‘almost unique’ in viewing 16th- and 17th-century chronicles ignored by other scholars; he re–evaluated El Dorado chronicles and consulted ‘archival records’ and ‘tribesmen’ in ‘piecing together his theory of Z’. Not a word of this was true, either.

Grann wrote that, as an author, he would have been lost without my three-volume, 2,100-page history of Brazilian Indians and five centuries of exploration. He quotes quite often from my books. So he had no excuse for describing Fawcett’s brief visits to three indigenous villages as the ‘discovery of so many previously unknown Indians’, from whom ‘he learned to speak myriad indigenous languages’, and adopted ‘herbal medicines and native methods of hunting [so that he] was better able to survive off the land’. Equally absurd was his rubbish about cannibalistic tribes, blow guns with poisoned darts, or Kuikuro menacing him with ‘gleaming spears flickering’ from the undergrowth (they never used spears, or had metal even, before their contact 130 years ago).

When the colonel vanished, Grann writes that ‘scores’ of explorers tried to find him, and that ‘one recent estimate put the death toll from these expeditions as high as 100.’ Actually, only one search expedition reached the Xingu, led by George Dyott in 1928. (It found that the three Englishmen had been killed by Indians.) The only other expedition was in 1932, but it got only as far as the Araguaia river far to the east. The death toll from these two attempts was zero. In 1935 a ridiculous actor called Albert de Winton went by himself to the Xingu and was killed by Indians who wanted his gun. So if we count him, the death toll is one — well short of Grann’s 100.

These and a great many other passages are artistic licence and hype of an absurd order. Hollywood believed everything Grann wrote, and then hyped it up more. People wishing to learn about the maverick colonel should consult his own fairly modest memoir — not the recent fantasy book and film about him. But I could recommend scores of writings by real explorers.

John Hemming is a Canadian explorer; the three volumes of his history of Brazilian Indians are Red Gold (1978), Amazon Frontier (1985) and Die If You Must (2004)

 4 ) 删减扼杀不了我们的探险梦

与DC重磅新作《神奇女侠》正面碰撞绝对需要勇气,稍稍有点票房野心的国产片都去挤国产保护月了,但进口片《迷失Z城》并没有这样的同等待遇,只好硬着头皮上吧。但上画前就传出遭广电总局删减大半的重大利空,一些流媒体对删减的槽点再大肆宣传,影迷们自然不指望它能长线放映了,只好抓紧有限的几天时间一睹为快。

影片讲述了一个英国的探险家福斯特寻找z城的故事,主人公有真实的故事原型。影片以丛林探险为噱头,宣称这是近几年最过瘾的丛林冒险题材,可惜还是谈不了广电总局的剪刀。血腥镜头被剪的一点不剩,只剩下缓慢的古典配乐和单线条的叙事让观影的你昏昏欲睡。我们抛开那些噱头,回归故事本身,其实探险梦比起那些恶劣的气候,食人鱼,野人外更让你印象深刻。

男主人公福斯特开始走上探险之路是为了重振家族的声誉和军队荣誉。身为少校的他为了勋章,处心积虑,抓紧一切机会表现,连射鹿献礼都不惜冒险。可惜在和平年代并没有给这位出身不好的军人太多机会,最后倒是皇家地理协会给了他一根稻草。只要探险有发现,就能获得勋章。

探险之路是艰辛的,遥远未知的路程,时刻突发的危险,同伴的受伤死亡,更可怕的是绝望的情绪笼罩在所有人的心上。福斯特坚持了下来,克服了种种,终于发现了陶瓷这一文明的标志,凯旋回国。

如果说开始为了勋章,再次前往就是为了向全世界证明自己的发现,野心进一步扩大。在权贵的财力支持下,福斯特一行再次踏上寻找z城之旅。这一次比恶劣气候更危险的是掉链子的同伴。你可以看出猪队友是多么可怕,骑了他们的马,毁了他们的食物,回国后还反咬了他们一口。权贵的伪善可见一斑。寻找z城再次不得不中止,无功而返。

第三次踏上寻城之旅则升华到灵魂深处。一战中碰到的灵媒告诉他,只有找到那个地方,你的灵魂才能安息。这是你的宿命。虽然战争损伤了眼睛,但儿子的踊跃报名,家人的精神支持,英国皇家地理协会的大力财力支持,旅程再次开始。虽然探险父子组合在丛林失踪,但在他们在探险界已是传奇,激励更多的人去探知未知的世界。

其实 《金刚》也是探险题材,但《金刚》更多的是破坏和反战。在这部电影中,主人公给予土著文明极大的尊重。不再是白人高高在上的尊容,而是平等与他们对话,绝不破坏和掠夺。再加上恒心与毅力,坚持自己的探险信仰,福斯特才会从众多探险家中脱颖而出,为我们所铭记。

梦想需要信仰般的坚持,什么都无法阻挡。体制,现实环境,审查都不重要,只要心中有梦,那团火就不会灭。你也许看不到,但你的后代会继承你的梦想继续前行,无往无悔。

 5 ) 真实故事中,最后一次探险他们遭遇了什么?

很多人聊得更多的是电影删减了37分钟,明明是PG-13,但是却惨遭截肢性质的删减。

目前还没有官方回应为何这么做。但大聪坚决抵制因为排片而导致删减,这是亵渎电影最严重的方式,没有之一。

我始终相信,人类基因里面是有分类的。

有些人天生热爱音乐。

有些人只想静静的写作。

有些人追求权力。

有些人则寻求冒险。

而冒险绝对存在于一些人的血液里,基因里,就像《迷失Z城》的男主角查理。

《迷失Z城》是根据真实故事改编,基于纽约客作家大卫.格兰的《迷失Z城:亚马逊致命痴迷的故事》

电影中的角色和真实故事的人物都进行了改动。

主人公原名叫泊西.福西特。另外其他角色在真实事件中都有原型。

有趣的是,本来影片是由卷福担任男主角,因为制片方觉得卷福和真实人物泊西更神似。但由于档期问题,卷福无缘《迷失Z城》。

在真实人物中,泊西从皇家炮兵离职后,成为英国特情局的成员,他作为北非间谍,做一些勘探地理和绘图的工作。

不过他可不像007的詹姆斯邦德,他更像是卢卡斯镜头下的印第安纳琼斯。

不过乔治卢卡斯反而在采访时说,他创造的印第安纳琼斯灵感正是来自由这位1925年冒险的泊西。

那么泊西当时为什么这么着迷于去亚马逊寻找遗落的城市文明呢?

前面我们说到了,他是英国特情局的一员,工作原因他开始发现亚马逊有很多历史悠久的陶制品,以及在丛林中发现一些所谓的直线道路。

而且泊西还在1920年时候确实找到了一份叫手稿512的文件,是一位西班牙猎人写的,后来留在了卢旺达国家图书馆。

在这份手稿中写到,1753年他发现了一座古城,有雕像有神庙,以及一些象形文件。

按照这样的陈述,真的看到古城的人并不是泊西,而波西只是主动寻找古城的人。

因此很多证据让泊西断定,亚马逊可能存在遗落的文明。

而当时一战结束不久,很多西方学者想极力证明,一个与世隔绝的理想文明,曾经出现存在过,和一战残忍的道行形成鲜明对比,让人类通过找到失落文明重新认识这个世界。提升整个世界的价值观。

但也有一些学者担心找到这个文明之后,对殖民地和西方国家造成负面影响。

因为如果真的亚马逊存在遗落文明,这就证明在南美洲曾经有繁荣的帝国文明,而且并没有受到西方文明的影响。

所以有些人会担心,会威胁到对其殖民地的统治和管理。

在真实故事里,他们一共进去亚马逊探险八次,而不是电影中的三次。

而亚马逊的占地面积是非常大的,被誉为地球之肺。

在当时1925年的条件,泊西的团队装备科技都有限,一天甚至只能前进不到1公里路。亚马逊很多丛林密不透风,非常危险。

在他们最后一次探险中,在当时得到了最大程度的曝光,很多报社报道为:这是人类最大一次探险或送。

而在探险中,他们最大的问题并不是环境因素,而是内部的叛变,甚至他的儿子为了回家做明星,也和父亲起了很大的争执。

但事与愿违,最后一次探险,泊西没有离开亚马逊。

那在最后的探险中,泊西他们到底发生了什么呢?是否真的像电影中的那样?

为了还原真相,纽约客作家大卫在写这篇报道的时候,2005年亲自去了亚马逊考察,试图跟随波西团队最后的路线。

大卫他们后来找到了一个叫Kalapalo的部落,在那个部落大卫得到了重要的信息,据这个部落的口口相传的一段故事,这个部落曾经有一对白色人种的冒险家造访过,因为时间久远,所以成为了这个部落的口述历史。

在当时这一队白色人种冒险团队造访的时候,探险队带来了很多外界的食物,让部落的小孩子很高兴,其中就有一位7岁的小女孩,探险队一位队员送给她一条项链。

不过当时部落拒绝外来的任何物品,他们认为这些东西都受到过诅咒。因此当时那条项链小女孩等他们离开的时候,扔掉了。

因此唯一的证据,也就无从考证。只能根据时间的先后去做判断。

在2005年大卫采访他们部落的时候,那位小女孩已经成为一位老人,也成为这个部落唯一的见证人。

那位老妇人回忆,在当时Kalapalo部落的人还警告过他们,不要再往东边继续前行了,因为那里有一个部落非常的危险,有可能会丧命。

但是这些警告被泊西探险团队理所当然的忽视了,不然怎么称之为探险队呢。他们为了找到遗失的文明当然会选择前行,于是他们便出事了。

在泊西他们出事以后,支持这个探险队的财团们为了找到原因,还曾经多次拍出团队去搜救,前后还因为搜救泊西,100多人丧命在亚马逊。可想而知在当时,亚马逊丛林深处还是非常危险的。

其实到现在,亚马逊丛林依然是非常危险的一个地方。

事到如今,这个探险队事件已经离我们很久远了,那么以现在的科技水平,是否证实亚马逊丛林真的有遗落文明呢?

答案是有。

目前大部分证据表明,有一个叫做KUHIKUGU的巨大古老文明,这个遗址已经离泊西他们探险的路线很接近了。

或许也有这个可能,泊西他们已经找到了这个遗址,可是在找到之后他们不幸遇难了。

那么这个曾经辉煌的文明为何突然终结,考古学家认为这和殖民有关。在西班牙十六世纪抵达南美之后,还带来了疾病。

而当地的土著人并没有任何免疫力抵抗这种疾病,相继死去。文明就此结束。

这和当时英国人登陆美国大陆时候一样,很多人说印第安人是被美国人杀害的,这是现在美国人想擦都擦不掉的一个历史。

但其实在美国大陆的印第安人,90%是因为当时美国人抵达时带来了新的疾病,印第安人没有任何抵抗力,被疾病害死的。

*资料搜集选自维基百科以及大卫.格兰在科学博物馆的一次演讲*

《大聪看电影》公众号,不追求跑量,只研磨精品。

 6 ) 一部对理想主义者的解读

今天看了一部电影,名字叫做《迷失Z城》。在我的理解当中,它探讨的是一个有关理想主义的主题。我很喜欢。

故事发生在一战前后的英国,主角Percy是个英国少校,因为接受了去南美测绘地图的任务而走上探险家之旅。他在亚马逊流域的丛林里发现了人类文明的遗迹,因而坚信这里曾经存在过一个遗失的文明。为向世人证明自己的发现,他再三重返亚马逊。最终,在与长子共同前往的第三次探寻中,他们丧生于一个原始部落。

我非常喜欢这部电影所给的结局,这也是它对于理想主义者的命运所给出的一种理解。在影片最后,主角Percy和他的儿子被原始部落的印第安人围困,死亡已是注定。在观看的那个时刻,其实我很紧张,因为我不知道编剧会给出他们怎样的一个结局。内心深处我其实很害怕这时出现一路天降的奇兵,把父子解救,最终寻梦者荣归故土,出现一派大团圆的喜乐景象。因为这样的结局,不是超级英雄,就是童话。但我也同样害怕看到理想主义的灵魂就这样赴死,让影片在墓碑、眼泪与阴霾中收场。那样未免太过悲伤,对理想主义这个信条本身而言,也太过残忍。

而这部影片在结局上的高明之处就在于,它既承认了现实,也展现了美——影片既没拍Percy和儿子遇害的不幸画面,也没给出家人悼念的哀痛场景。它是这样展现的,Percy和他的儿子安详地接受了印第安人在将他们献祭前所做的一系列宗教仪式,随后他们二人被众人抬起前往火堆。在广袤苍穹下高举火把的微光里,在举目旷野中林间吹过的清风里,在地球远端亚马逊部落的神秘文明里。这一刻,我的解读是,这才是理想主义者可以接受的结局。理想主义者一生都走在朝圣的路上,连死亡也最终成为了他们朝圣的一部分。在非理想主义者看来,这死亡的结局或许是不幸的,但对于理想的圣徒而言,路途本身即目的,这样的人生已经无憾了,不是吗?

这部电影当中,除了大主题的诠释非常精彩之外,由充满理想主义的主人公与周围环境所牵发的冲突中展现出的诸多子题也同样精彩。

第一个是家庭。一个受到远方强烈召唤的人要怎么和家庭妥协,这是每一个与理想主义有关的故事都逃不过的话题。在影片的中后部分,不仅仅是男主人公Percy本人要再次前往荒原,连他的儿子也提出要一同前往。这对一个妻子和母亲来说,不太残忍了吗?但他的妻子却同意了,点头时她说了一句话,至少这句话让我明白了这对矛盾要怎么化解。她的这句话是—— “难道我还有其他选择吗?” 没错,她其实是没有选择的。这是她的聪慧,因为她知道,当自己拥有的是一个被上帝选中与被梦想击中的丈夫时,她哪里有选择。远方是他的destiny,这就好像是基因里写定的密码子,无法变更。所以我觉得,这对矛盾的真正解决,不应该再是哪一方所谓的牺牲,而应该是彼此对事实的承认。

第二个子题是文明。这部影片赤裸裸地将文明的脆弱与人性的不堪展现在了观众眼前。在探险团队第二次进入荒林时,队伍中加入了一个投机主义的英国官员。他本想通过此行扬名立万,但不料途中险象丛生。在其他成员还能坚守文明的底线,绝境中尚能互相帮助时,他却一个人偷光了其他队员所有的储备。本该是“人与人”之间的对垒,在这极限的境遇中却倒退成霍布斯笔下“狼与狼”的厮杀。本该是代表人类最高文明的团队,去寻找更低等的原始文明,在这个过程中,“文明人”自身却堕落成了“野蛮人”,莫不是一个巨大的讽刺。

第三个子题是理想主义者的锋芒。对过于耀眼的东西,人们捧不了的时候,便去挖,鲁迅讲的一点也不错。Percy之于前述的英国官员便是这样一个捧不了,就开始挖的对象。这似乎是很难想象的,面对一个在绝境中仍愿对自己出手相救、仁至义尽的对象,人怎能做到抛却良心反咬一口?其实不是人心太坏,是理想主义者的光芒太耀眼。对于这个世界上大多数的人而言,理想主义者无非是他们的一面照妖镜,前者越是鞠躬尽瘁,后者越是被衬托得体无完肤。这或许会是理想主义者在人性发展尚不健全的社会中不得不承受的反扑。

但这部影片,还不是我今天最深切的感悟。因为,如果说黑土代表的是眼前,而麦田代表的是远方的话,《迷失Z城》还只展现了麦田,即理想这一个维度。现实生活中,不是每个人都会成为上帝的选民;相反,在更多的情况下,黑土才是我们每个人的人生题里给定的题干。

那在必须深耕黑土的人生里,麦田的存在有意义吗?

当然有。

同样是在今天,我还听了黑土麦田的创始人秦玥飞的一场讲座。我知道如今的他很有影响力,从社会认可度这个层面来说,也很成功,但今天这些都不曾令我惊诧。令我惊诧的始于下面这张图片,

秦玥飞在哈佛论坛上的演讲


这时他在去中国农村前,也是他在离开耶鲁前,所拍的最后一张照片。原来他过去是这样一个fancy的留美青年!原来他在耶鲁曾是一支摇滚乐队的drummer,一个典型的美国嬉皮士!我感叹的是,一个人该有多大的弹性,才能在两种截然不同的生活方式与职业角色中切换自如,并各持本色。

而这样的人,我相信他们的心中一定既有黑土,也有麦田。

我们是处在如此长尾的一个时代,以致很多选择的结果要在多年以后才能初现回报。所以很多人更愿意,甚至说是只关注短期回报,结果我们不停地奔跑,不断地焦虑。如果人生能够多一个维度,坚信一件自己做的事情有价值,我猜想绝不济在时代中这么奔命。

我还是羡慕理想主义者的,因为时间好像在他们的身上走得特别稳定,也特别缓慢。

 短评

直到片尾看到producer是布拉德皮特之后才恍然大悟为什么电影里的男主角们一个个都长的像布拉德皮特ok

5分钟前
  • 黄柑柑
  • 还行

不是先进文明对落后文明的俯视,而是工业文明对古老文明的反哺。詹姆士·格雷用充满历史厚度的古典拍法讲述南美开荒的鲜花与骸骨。让人魂牵梦萦的Z城啊,你也是我的南美情结所在...

9分钟前
  • 同志亦凡人中文站
  • 推荐

美轮美奂, 有几场戏好像幻境, 从战场穿越到丛林, 像梦一样开枝散叶, 有点《蛇之拥抱》的错觉。老派的故事和画面真是让沉迷古典的人欲罢不能。有人会说平淡,可要拍成《夺宝奇兵》我就中途退场了。选角棒,帕丁森居然有种迷之帅气(差点认不出),而湖南一定是今年的最劳模最帅男主!

12分钟前
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各方面都很主流,格雷最平庸的一部

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  • LOOK
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6/10,强烈谴责国内引进方为了增加排片赚钱蓄意删减的行为,看的如坐针毡,前面看的非常不适应,因为剧情推动的太快了,快到让我莫名其妙,以至于看完对人物动机和形象都没啥印象,所以如果对故事感兴趣的我还是不建议去看这个删减版,因为看的会很痛苦、很恶心、很想暴打提议删减的那个人。

20分钟前
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  • 还行

141分钟版。人物传记,冒险呢?没有,甚至在这方面的描写都很差,很简单的(仅受到一次攻击和食物危机)就到了没有(白)人发现的地方并发现文明,很简单的从没有人能回来的地方回来。

21分钟前
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第一次看James Gray,没想到居然是一部古典韵味浓厚的浪漫主义史诗,剪辑摄影都太太太优秀,每场戏都看得如醉如痴,最后五分钟更是格外震慑人心,结尾一镜回味无穷

25分钟前
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事实被改编成非虚构文字作品,这其中就不勉存在对真实的删改,再到被改编成电影,又是更多的删改,现在又在这样的电影基础上剪掉三十几分钟那又能怎样?如果让大卫·柯南伯格拍多好,拍成像危险方法那样。关于这部电影我比较喜欢的一点是,许多场景非常适合配上德彪西印象主义音乐。

26分钟前
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听闻院线删了30分钟吓得没去看,看得蓝光,主题很深刻,理想乌托邦与现实之间的对弈,心怀梦想的人,永远也逃不出文明的桎梏,反而被自然之力反噬,迷失在文明与自然之中。实拍场景和摄影点赞,整体还是有些太长了

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在所有逆流而上的丛林公路电影里,格雷无疑贡献了最古典肌理的版本;但视听乃至于剧作上古典优雅得越不可挑剔,丛林的野性和主人公的痴迷却也就越不可体味。

32分钟前
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I had a farm in Afri...对不起,进错片场。在亚马逊带着一箱吃的不敢往前多走一天,贝爷哭了。这是一个重在精神的冒险故事。想看雨林和土著文化的可以退散。其中参杂的男女和种族平等讨论,意愿是好,但手法生硬论点过于超时代,太假。影像古典路数,但是素材取舍不当,不显稳重精巧倒是拖沓了

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散轶的探险笔记,扑火的飞蛾;我们对世界,对彼此,对自己的探索,已知与未知的比例,大概永远都是恒定的。

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难怪公映版本要删减…

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直男和直男去大自然 直男和胖子去大自然 直男去打仗 直男和儿子去大自然 大自然真好啊儿子我们别走啦…… 冗长散漫的直男历险记 orz 我和友邻看的是同部片吗 出色的剪辑在哪里呀?迷失在Z城里厚?

41分钟前
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不是很能理解帝国时期对外扩张的野心和夙愿。结尾那一刻,被食人族抬走的父子给人一种仪式感的动容,其他部分很无聊。

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拍出了Z城对珀西致命的吸引力,却没拍出Z城对观众致命的吸引力。

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